GrapeVine - CD, Book and DVD Reviews

Book Review: Messenger: The Legacy of Mattie J. T. Stepanek and HeartSongs

2009-10-25T15:09:00.000-07:00

Reviewed by Jim Logue, Jr.

MattieOnline.com.

"Remember to play after every storm. Storms aren't necessarily clouds with rain. They're things that darken your day."

This was the philosophy of life for Mattie Stepanek. From an early age, Mattie knew that his time on earth was going to be limited, but he was not one for self-pity or giving up. For him, life was not just for existing, it was to be lived as much as possible.

Mattie Stepanek was a young man who suffered from a form of muscular dystrophy called "dysautonomic mitochondrial myopathy". His two older brothers, Jamie and Stevie, and his sister Katie all died very young from the same disease, and his mom, Jeni, suffered from an adult version. Because of this illness, Mattie spent much of his fourteen years on earth in a wheelchair and was in and out of hospitals. Yet, with all this going on, he still took the time to reflect on how important God is and how God called him to be a messenger of hope and peace. He took that vocation very seriously.

Early on, Mattie became interested in poetry and learned to express himself in verse. As one person writes a journal of their life, as a musician composes music on where they are in life, Mattie composed poems and shared them with people:

See now; and listen to me...
God speaks into my heart,
Then I choose the words
To shape the message, so you
May understand and know
What God wants us
To understand and know.
See now, and listen to me...
Do you hear my voice
Shaping with words
What the Voice in Heaven
Puts into my heart?
You will hear it now and
You will hear it again
When you come into Heaven.
See now, and listen to me...
I say to you,
Follow your heart.
This is what
My voice, and
The voices of Heaven
Now say to you...
See now, and listen...
These are the words I choose
To shape the message from God.
Follow your heart...
Please,
Just follow your heart...

(from "The Church Ride" in Reflections of a Peacemaker: A Portrait Through Heartsongs, pg 152.)

Mattie had six books of his poems published, and his mission for peace led him to co-write a book with former President Jimmy Carter entitled "Just Peace". And country singer Billy Gilman recorded a CD of Mattie's poems set to music.

Mattie believed in peace and in people's ability to work for peace. One example of this was on September 11th, 2001, during the aftermath of the terror attacks in New York and Washington. Mattie and his Mom, Jeni, would pray each night about various things. But that night, Jeni confided in Mattie that she was at a loss as to what to pray for. "How can we pick up the pieces?" she asked. "I don't even know where to start."

Mattie responded, "We need to see all the pieces, every fleck of ash, as a gift in the mosaic of life. Rather than seek revenge, we have to begin to rebuild the mosaic. If we keep seeking to retaliate, it's never going to end. Why can't people see that? Fear begets fear. Revenge begets more revenge. We need to stop. Just stop."

Mattie's Mom, Jeni Stepanek, set out to write this book so people could understand who Mattie was. He was not just the celebrity that many of us saw on Oprah or Larry King Live or as ambassador for the Muscular Distrophy Association. He was a boy who suffered much, but loved even more. He taught us that it's okay to be different, that we can being about world peace of we just give it a try in our own corner of the world.

From my own perspective, this book taught me to look at people differently. Even at Mass, when I sometimes get distracted by crying children and find it annoying, after reading this book, I found myself not worrying about that. Peace does not begin in another state or another country. It's not something we read about in the news. Peace needs to begin with us, with me.

Mattie's message of peace brings to mind a friend who is a Catholic singer, who recently performed at a church near his hometown. A few days later, he received a letter from one of the people who had heard his concert. While he liked the music, he advised my friend that he should give up being Catholic, that the Catholic Church was bad, and took the opportunity to insult the Church. There were several ways to respond to such a letter. My friend responded this way:

"I appreciate your concern for me and thank you for the time it took to write the letter and find such interesting materials. I did find them interesting, but not new to me as I have read many of these in the past - especially since I began sharing Christ in my music ministry. I hope that if you have been at my concerts that you can see and hear Christ crucified and proclaimed directly and indirectly in music and word, and most especially in the life that He has blessed us with.

I am very blessed to have such a close relationship with my Lord and Savior, one that I pray gets closer and closer with each breath I take so that someday when it is time, He will come back for me and take me to the place He has prepared for me to be with Him forever.

I hope that as you continue your walk with the Lord, that you will ever seek the truth and look into His eyes to see the beauty of this life He has given to us. Perhaps you will be able to get out to some concerts to enjoy our music and ministry as it is, the ministry, stories and music God has given to me to use and share.

I appreciate your prayers. Know that you and your family will be in ours."

The man wrote back, "Wow, usually Catholics are exteremely defensive when I witness 2 them but your response showed the love of Christ. I am honored to have u as a brother in Christ."

Mattie's messge of peace lives on.

The book is called "Messenger: The Legacy of Mattie J. T. Stepanek and HeartSongs", written by his mother, Jeni Stepanek, wiht Larry Lindner. Poet Maya Angelou wrote the forward for this book. It will be released November 3rd by Dutton, part of the Penguin Group of publishers. Visit MattieOnline.com to learn more about Mattie Stepanek and his books and his life.

CD Review - Sarah Hart - SaintSong

2009-10-11T12:04:00.000-07:00

Reviewed by Fr. Kent O'Connor

Excellent production value, great songwriting, and lyrics based on spiritualities that are uniquely appreciated by Catholics, Sarah Hart's new CD, SaintSong from the spiritandsong.com label, is contemporary Catholic music at some of its best. SaintSong, is what it says it is; the words of the saints put into song. Even though these songs are best appreciated by those who have a devotion to the saints, I think that this CD would also have a much broader appeal. As most of the songs are based on prayers of the saints, the lyrics (especially the choruses) don't fall too far outside the "praise and worship" category. It could be a wonderful opportunity for Christians everywhere to discover the beauty of the saints.

The music of Sarah Hart is generally classified as folk/rock or folk/pop. I would simply call it delightful. The slick Nashville production, which I find sometimes drains the heart right out of a project, serves the album well. The instrumentations are rich and authentic.
I also personally love it when a CD has a concept and it is carried through the entire album, and SaintSong, for the most part, does just that. In the age when more and more music is purchased digitally one track at a time, it is nice to hear a CD that is really best heard in its entirely. With the enhanced CD including printable devotions to complement the songs, there is all the more reason to own a physical copy. The only misfire of this great concept is the inclusion of "Our Blessing Cup (Psalm 116)". Although King David's words might be well considered as words of a saint, this well-known "Mass psalm" seems out of place on this album.
SaintSong by Sarah Hart is available from www.spiritandsong.com as well as iTunes.

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Review by Rob Ayoub

Spirit and Song artist Sarah Hart’s new album SaintSong is a contemporary montage of ancient prayer texts set to music. Her website tells the history this way:

“Six Years ago, Sarah stumbled across the Anima Christi in an old prayer book her mother used as a child. Awed by the beauty of this ancient prayer, she set it to music; then began searching for more.”

Sarah’s plays a folk-pop style that is unique amongst Catholic artists and its one that speaks to and can appeal a wide number of listeners. This is perfectly illustrated by the first song on the CD “On the Way”.

The collection presents 11 brand new compositions in Sarah’s folk-pop style. Texts include poems, prayers and other writings by some of the Church’s most revered doctors and theologians including St. Augustine, Catherine of Siena, Hildegard of Bingen and Mechthild of Magdeburg. The track Restless, for example, has that famous line by St Augustine – “We are restless till we rest in you “

This CD includes a devotional book. Combine the devotional book with Sarah’s heartfelt performance of these songs and you get a powerful resource for personal prayer. I’ll admit that I like the modern flavor to these ancient prayers. I’ve written a few psalms as a music minister and its very challenging to match modern music with the sometimes-complex prayers and language that come out of the early saints and writers. Sarah Hart’s key strength is the ability to bring these old texts to a new audience.

I like the instrumentation of this album. As I’ve already said I really appreciate what a momentous task it is to bring ancient prayer into a modern setting. If you like prayers of the saints or are parents looking to introduce your child to these prayers through a modern vehicle, pick up a copy of Sarah Hart’s SaintSong at
SpiritAndSong.com.

CD Review - Russ Renter - On the Way to Emmaus

2009-10-11T11:55:00.000-07:00

Reviewed by Rob Ayoub

Russ Rentler is a multi-talented musician, physician, and luthier - playing inspired pieces in a Celtic-folk style. Russ is passionate about acoustic music and plays a variety of instruments including: hammer and mountain dulcimer, fiddle, dobro, autoharp and bouzouki. He also started building his own hammer dulcimers and uses his own instruments on stage. Russ’s latest CD is entitled Way to Emmaus and the title track is a beautiful retelling of what that meeting with Jesus must have been like.

The instrumentation is very rich on this CD. Being such a talented acoustic performer, the wide variety of instruments shines through on all the tracks. The title track shows some of Russ’s tremendous arranging skills, but I think it’s especially obvious on the track “Sing of Mary”.

Russ’s music is phenomenally peaceful – but the depth of his lyrics is not to be overlooked either. Russ is a true storyteller through his music – he cites artists such as Bob Dylan, John McCutcheon and Walt Michaels as major influences in his style. I think his storytelling ability is highlighted in the song Jewel of the Caribbean telling of the hopelessness and faith that wells up in a man during a missionary trip to the Caribbean.

Russ is such a tremendously talented person and humble as well. If you like folk or Celtic inspired music, if you like lots of acoustic music and if you like music that weaves a tale – you will like Russ Rentler. Check him out at RussRentler.com.

CD Review: Anuna - Sanctus

2009-10-01T17:07:00.000-07:00

Reviewed by Jim Logue, Jr.

World-renowned Irish choral group Anuna is back with their new CD project, "Sanctus". Four of the songs are composed by Michael McGlynn, founder of Anuna. Some tracks were previously released, but the newer recordings were done at St. Peter's Church in Drogheda and features Anuna's exquisite performances.

Anuna had a brief bit of fame providing choir work for the original Riverdance video. They have since returned to their unique style of music, performing many early works; not just from the Church, but secular songs as well. This CD, however, showcases some of their best spiritual works.

Tracks:

"Crucifixus" - composed by Antonio Lotti. From the Nicene Creed, in Latin "Crucifixus etiam pro nobis sub Pontio Pilato: passus et sepultus est." Translated, "(He was) crucified even for us, under Pontius Pilate:
(he) suffered and was buried."

"Nobilis Humilis" - composed by Michael McGlynn.

"Agnus Dei" - [From "...and on Earth, Peace - a Chanticleer Mass"] - composed by Michael McGlynn.

"Mariam Matrem Virginem" - Translation, "Praise Mary, the Virgin Mother" from the "Llibre Vermell de Montserrat", the "Red Book of Montserrat", a manuscript collection of late medieval songs from the 14th century. No composer is identified for this and the other songs from that manuscript.

"Victimae" - composed by Michael McGlynn.

"Miserere Mei Deus" by Gregorio Allegri. Miserere, also called "Miserere mei, Deus" (Latin: "Have mercy on me, O God") by Italian composer Gregorio Allegri, is a setting of Psalm 51 (50) composed during the reign of Pope Urban VIII, probably during the 1630s, for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of Holy Week. It was the last of twelve falsobordone Miserere settings composed and chanted at the service since 1514 and the most popular: at some point, it became forbidden to transcribe the music and it was only allowed to be performed at those particular services, adding to the mystery surrounding it. Writing it down or performing it elsewhere was punishable by excommunication. The setting that escaped from the Vatican is actually a conflation of verses set by Gregorio Allegri around 1638 and Tommaso Bai in 1714.

"O Maria" - composed by Michael McGlynn.

Anuna's website is at Anuna.ie. CD's can be purchased from their website or at Amazon.com.

CD Review: Phil and Sue Fortin - From The Heart

2009-10-01T08:02:00.000-07:00

Reviewed by Jim Logue, Jr.

This is the sophomore release from the husband and wife team from Masachusettes. This album is focused a lot on the Liturgy, with many of the songs being new arrangements of the Psalms. Also covers some popular songs of the Church. The instrumentation on this CD is very well done, a very professional job.

Songs include:

"Open My Eyes Lord" - We are often blind to God coming into our lives. We need God to open our eyes, that we can see Him in our every lives.

"I Turn To You (Psalm 32)" - a nice version of this psalm of prayer.

"Only This I Want" - composed by Daniel Schutte, focusing our eyes on God and God alone.

"Refiner's Fire" - as a refiner burns away the dross to find the precious gold within, God burns away the sin to cleanse our hearts for Him.

"The Lord Is My Shepherd" which has a beautiful cello intro.

"Prayer of St. Francis" - An instrumental version of the Sebastian Temple classic. Piano and guitar take turns as the solo instruments.

John Michael Talbot's "Only in God (Psalm 62)", beautiful meditative song.

"The Lord Is My Light (Psalm 27)"

"Be Thou My Vision" - Starts out with a haunting acappella 1st verse - goes into instrumental from there. Song got its start in 433 AD Ireland, when St. Patrick defied the king's order and lit a fire on the night before Easter. The song was later turned from a folk song into the hymn we know now.

"Eye of the Storm" - contemporary song, trusting in God during difficult times.

"Taste and See (Psalm 34)" - Given a choir treatment.

"Hail Mary: Gentle Woman" - We hear many of the titles of our Blessed Mother, Mary, with the Carey Landry classic.

"How Can I Keep from Singing"

"The Path of Life (Psalm 16)"

Available on CDBaby.com.

CD Review: Danielle Rose - Pursue Me

2009-10-01T08:00:00.000-07:00

Reviewed by Jim Logue, Jr.

This is Danielle Rose's last album, which she recorded prior to her entering religious life at a convent. Danielle has an Allison Krause-like quality to her voice, which is particularly evident in one or two of the songs that have a bluegrass sound. The songs on this project show the depth of Danielle's love for God, which shines through, giving the album a warmth and a deep sense of faith in God.

"In the Silence of the Heart" - guitar, violin, finding God in the silence, in the desert. Reflects Danielle's pursuit of God in her own heart.

"Pursue Me" - guitar, light percussion. A song asking God to "pursue me", to come into my life. "You stretched Your loving arms across the world into my heart." Sometimes we keep running away from God, trying to go after our own selfish prizes. God comes to pursue us, to bring us back to Himself.

"Nothing Compares to You" - light waltz. Unlike other songs with a similar name, this one is not about "you" going away and me being sad. Nothing in this world can separate us from the Love of God, as in the passage from Romans.

"Hail, Mary" - In honor of our Blessed Mother. The beautiful prayer to Mary expanded, a devotion to the Mother of God, mixed with the Doxology.

"Abraham's Offering" - a song written about the story of Abraham being asked by God to sacrifice his son, Isaac. A song about true faith, obedience, and trust in God.

"Anointing at Bethany" - midtempo 6/8 song about Jesus' annointing with the expensive oil by the woman, as told from the perspective of the woman.

"Follow Me" - "If you lose your life for the sake of my name...", this is a song about God calling us to follow Him. "I call you by name, I call you my friend. From now on I call you a fisher of men." Beautiful choir arrangment on this one.

"Walk on Water" - song about Jesus' walking on water, the apostles' fear when they saw him, "Come to me and walk up on the water; Come in faith my grace will be enough. If you believe you come to know love's power, come to me and I will hold you up." The harmonies give the right touch.

"Psalm 139 (Wonderfully Made)" - "Lord, You search me and you know me." A beautiful setting of the psalm. A haunting piano accompaniment accentuates this song.

"Sing a New Song" - A definite Bluegrass tempo, "I will sing a new song, to a new song. I will sing a new song to the Lord. He has turned my mourning, turned it into dancing, silence ends in melody." Turning everything over to Jesus. This is the song that gives her that Alison-Krause-like quality.

"See You In the Eucharist" - a light ballad, a song about Jesus' True Presence in the Eucharist. Something that even Catholics need to be reminded about, that the Eucharist is not just a symbol of Jesus, it IS Jesus!

"Gates of Heaven" - A light bluegrass/folk song, duet with her father, Dr. Daniel Skorich. "...and if I never see you face again, we will meet at the gates of Heaven." Reminds me a little of some of the Irish ballads I've heard. Danielle said she cried for two hours after first hearing this song.

While we will definitely miss Danielle's music, she is being called to a different life. We offer our prayers for Danielle in her vocation in the convent. 100% of the royalties of this project will go towards vocations.

The CD can be purchased at the WLP Website: WLP.JSPaluch.com.

CD Review: Alicia Hernon - Beloved

2009-10-01T07:57:00.000-07:00

Reviewed by Jim Logue, Jr.

Alicia Hernon comes from a very musical family. Her father led music at her home parish, her brother is Catholic artist Martin Doman. Alicia began singing at Mass, and later, at Franciscan University, she had the opportunity to develop her musical gifts, and began a career of teaching music at schools and in private lessons. Over the years, people asked her if she would ever record a CD. She finally decided that now is the time. The result: "Beloved", a collection of ten inspirational songs done with acoustic instruments like guitar, violin, piano, and flute.

"Cry of the Beloved" - An uptempo song based on the Song of Solomon, describing God as the King as we, His people, the beloved.

"Conquer Me" - a song praying for God to conquer us with His love, His mercy, His truth. Turning ourselves over to God completely.

"The Ring" - a beautiful song for weddings, this is a beautiful duet between Alicia and Martin Doman. Talks of the lifelong committment of love that marriage is. "The ring is the symbol of my love for you."

"You're the One" - this song is of a woman singing of the love she has for her husband. "You're the one for me".

"Talitha Cumi" - song of a mother, whose child has died. "Little girl, arise", what Jesus said to the little girl who died. Another verse is from the perspective of the child, who recognizes Jesus as the one who calls to her, "Talitha cumi".

"Up to the Moon" - I love you up to the moon, as big as the sky. The song is a mother singing of her love for a child, watching a child grow "like a beautiful tree"..."You'll always be my little child".

"As I Kneel" - A song for Mary, with a little girl singing on this with Alicia. This song appears in the "Canticle" hymnal at Franciscan University.

"Give Thanks to the Lord" - more uptempo, with choir, "Give Thanks to the Lord for He is good, His love endures forever". Great contemporary arrangment of the psalm.

"Maria" - I first heard of this song in the Canticle hymnal (used by Franciscan University). Alison wrote the songs several years ago during a visit to the Basilica of the Shrine of the Immaculate Conception in Washington, DC. On her blog, she writes: "I remember perfectly the moment that the idea for this song came to me. I was at the annual March for Life in January of 1992 with other students from Franciscan University and we were visiting the National Shrine in Washington DC. I was walking around the catherdal praying and looking at all the beutiful architecture that drew one's mind to spiritual realities. I noticed around the top of one of the arches there were written the titles of Mary. "Star of the Sea", "Tower of Ivory", "Vessel of Divinity".... and I just started thinking and singing to myself right there in the church."

"Scripture Medley" - Alison gets the kids involved in this one, with a song to help kids in learning Scriptures. A great way to help the young ones to learn about the Word of God.

A very well-produced project, the musical background is very professional, a great debut CD!

The CD is available from her website at AliciaHernon.com.

CD Review - Kevin John Smith - We All Bow Down

2009-09-27T14:24:00.000-07:00

Reviewed by Jim Logue, Jr.

Kevin John Smith has been involved in music for more than 25 years, through years of work with the Minnesota Opera, Walt Disney World, Busch Gardens, and has recorded jingles and voiceovers for broadcast. He is also one of the founding members of internatinally-acclaimed group Voice Trek.

Now Kevin has recorded a solo CD: We All Bow Down. This CD features ten songs that showcase his strong vocal talents. The album is produced by Darren Rust and includes musicians Tommy Barbarella and Sonny Thompson, who have worked in the past with Prince and Janet Jackson.

The purpose of this CD, the songs and the styles, is to lead the listener through life's journey. Songs include Michael W Smith's All I Want, thanking God for everything we have; Lenny LeBlanc's We All Bow Down, offering praise to God; Michael Card's El Shaddai and The Nazarene; Josh Groban's Remember When It Rained; DeGarmo & Key's In His Love; Twila Paris' How Beautiful; Julie Hoy's Wait For the Moment; and Brenda Russell's The Last Day.

The songs all offer praise to God, express our trust in His care, and the hope of one day sharing eternal life with Him. Kevin gives a truly inspired performance with a solid musical background to his voice.

You can learn more about Kevin John Smith at his website KevinSings.com.

CD Review - Bill Tonnis – Live to Love

2009-09-24T17:01:00.000-07:00

Reviewed by Fr. Kent O'Connor

There is a lot to love in Bill Tonnis’s second album, Live to Love. A real highlight of the CD is listening to the exceptional guitar work of Bobby Fisher (who also produced the CD). His great hooks and solos (along with all the other instruments he plays on the album) bring an added dimension to Tonnis’ original compositions. The arrangements and backing vocals are excellent and the production value of the CD is good. I found Tonnis’s unique voice, while perhaps lacking universal appeal, to be very engaging, and it served the music well. My favorite track, hands down, is “How Wonderful to Me” (track 9). It is one of the loveliest songs I have heard in quite some time.

The biggest weakness of the album is the lyrics. Too often it felt as if Mr. Tonnis wrote “to the rhyme.” Sometimes he sacrifices faithfulness to Scripture and good sentence structure for the sake of the rhyme. I would have liked to hear Mr. Tonnis either “dig deeper” to find better rhymes (some of his “rhymes” don’t even rhyme), or write songs that have no rhyming pattern at all. This might have also eliminated the “singsong” quality that occasionally appears in his melodies.

Many people have been touched by the ministry and music of Bill Tonnis, and I am confident that Live to Love will serve his ministry well. The songs “Come to Jesus” (track 2) and “Heal Me” (track 4) can be used for those needing healing of body and spirit, “Take Me Now, Forever” (track 10) is a lovely song for a wedding, and “God is the Goal” (track 7) is great for those who need a little “pick-me-up” sometime during the day.

For more information on Bill Tonnis and to purchase Live to Love go to BillTonnisMusic.com.

CD Review - Trish Foti Genco – Inspired Classics

2009-09-11T04:38:00.000-07:00

reviewed by Sally Bolderson

Inspired Classics is Trish Foti-Genco’s fifth CD offering. As I
prepared to listen to the “classics”, all familiar titles, I did not know
what was in store. Although, I’ve heard of Trisha through the Catholic
music networks, I hadn’t actually heard any of her music. I was very
impressed with every track of this beautiful work. Trish’s powerful,
classically trained voice and depth of emotion brought each song to life.
And not to be understated are the professional musicians (Dreux Montegut –
piano, Anne Chabreck – flute and Vince Woolf – trumpet) she surrounds her
beautiful vocals with, that add their own special dimension to these
songs, thereby enhancing them even further.

This is a mixed collection of traditional Latin classics such as “Laudate
Dominum” by Mozart and “Panis Angelicus” by Franck along with new
contemporary favorites like “How Beautiful” by Twila Paris, “Wherever You
Go” by David Haas and a particular favorite of mine, “How Great Thou Art”
by Hine.

Trish spent her life growing up in New Orleans, Louisiana with a
supportive, faith filled family and extended family who nurtured her
growth in her gifts and her faith so that when she suffered a stroke in
her 20’s it did not deter her from God’s call for her. She has made her
name known throughout the south as well as across the country. She was
featured on EWTN in October, 2008 and shared her musical gifts at the
UCMVA (United Catholic Music and Video Association) Unity Awards
ceremony.

“This wasn’t the plan I had for my life,” she said. “It was important for
me to teach music at a Catholic school and be a mom. The part where things
(a music career and raising a family) work so well together is his (God’s)
design. This is his plan.”

When asked why she chose the Catholic music genre to share her undeniable
talent, she states, “To me there was no other way. Everything I have
learned prepared me for this. Catholic music is just who I am. It’s my
calling…it’s what I’ve done all my life.”

This is a great CD with so much to offer. I am anxious to hear her
previous recordings, Inspired, In the Stillness, After the Rain and
In His Presence (the Gift of Christmas) to see what other graces can be
found there.

You can purchase Inspired Classics as well as all of Trish’s CDs at www.tfotigenco.com.

CD Review - Mercy Is . . . Mary Selano and Company

2009-09-11T04:33:00.000-07:00

reviewed by Sally Bolderson

Mercy Is . . . is a compilation CD of various new artists from the Atlanta area encompassing an original setting of the Divine Mercy Chaplet written by Mary Selano as well as well known and original pieces by the various new artists featured in this CD. The intention for the CD is to help spread the good news of God’s immeasurable mercy for us. 100% of the proceeds of the sales of this CD are earmarked for Mother Antonia and her sisters, Eudists Servants of the 11th Hour, to assist in the continuance of God’s works of mercy.

The vocals throughout the CD are pleasantly humble. The clear, sincere voices draw the listener into the depth of the songs. The melody of the Divine Mercy Chaplet is soothing and I believe it would be well suited to congregational prayer. I was also pleased to have the pre and postlude prayers of the Chaplet included in this recording.

The overall selection ranges anywhere from old hymns such as an acoustic arrangement of “The Old Rugged Cross” sung by 16 year old, Jenna Kate Hall to a more contemporary sound of Jon Hazelwood of an original song, “Tear Me Down” to Schubert’s “Ave Maria.” As with any compilation project where there is a diverse selection of types and voices, you will find some to be stronger than others and that is the case with this CD.

What tugged at my heart strings the most was the song “We Want to See the World” written by David Burke. This song is a dialogue between an Angel of God (sung by Camille Selano) and unborn children (sung by a family of children that regularly go to a local abortion clinic for prayer vigils who are known to break out in song while praying for the innocent lives of the unborn). This is probably the most powerful Pro-Life song I’ve encountered. The tender voices of the children brought to life the innocence of the unborn children whose lives are never able to reach their full potential.

The CD ends with a beautiful song entitled “Healer of my Soul” in remembrance of Catholic Musician, Bob Murphy who sang God’s praises in the San Diego area for many years.

In conclusion, I found Mercy Is . . . to be a very pleasant listening experience of many gifted musicians singing their praises for our merciful God.

You can purchase Mercy Is . . . at www.mercyis.com.

CD Reviews: Rocking Romans, Alexandra Celano, Peter Beirer

2009-08-31T13:24:00.000-07:00

Rocking Romans - 2009 Best of Catholic Music

By Dave Wang

This is the second in the series of the Rocking Romans compilation CDs. Last year's debut disc was quite an eclectic mix of different styles and production values, but this year's edition has a much more youth-oriented and consistent flavor which makes this CD a much more satisfying listen. This is despite being recorded in different studios from over 6 countries.

Canadians are admirably represented with solid cuts by Tuesday Bloom ("My Everything") and Chris Bray ("Finally Let Go"). American artist, Milo, contributes a great song, "Rekindled" and SALT, from Malta, has another winner with "Jars of Clay".

There are also some artists who are new to North American listeners. "Sapientia" by Vox Nova is a real winner, mixing a chant feel with ambient techno.

Popple contributes a song that has a great sense of humor, similar to that of the Bare Naked Ladies. Billie Tarascio, who contributed to the first CD, shows how much of a difference a producer can make with her song "Send Me", produced by David Smith. Smith also was responsible for the production of this CD which has very good production values on average.

This is definitely one of the stronger compilation CDs out there and is well deserving of a listen. Check out www.rockingromans.com to check out the other resources and artists that are on this great new resource for Catholic music. Well done.

Alexandra Celano - I’m Overcome

by Susan Bailey

A new face in Catholic and Christian Country music, Alexandra Celano brings a pleasing mix through her debut recording, I’m Overcome.

While the project is not groundbreaking, it is organic and very easy to listen to. It’s what I love best about Country music – a few simple instruments played well, great vocals and sweet harmonies, making for a wonderful listening experience.

The songwriting is tight, with catchy refrains and upbeat melodies. Inspiring songs with a personal praise and worship theme include “I’m Overcome” and gospel-tinged “Let the River Flow.” “In This Place” is a lovely invitation to worship in the House of God.

I particularly liked “You’re Good for Me,” a love song with a unique refrain: You’re good for me. / Every time I look into your eyes I see / My other half, the one that fits me perfectly, / So naturally, it’s you. / You’re good for me.”

Touching tributes to a beloved grandfather (“Grandpa”) and a dearly loved child who passed away (“Dancing Angel ‘Normita’”) bring just the right personal touch.

A Christmas-related bonus track is included entitled “A Child is Born.”

I’m Overcome is the perfect companion to your work day or drive or chores around the house. It’ll keep you inspired.

Purchase your copy of I’m Overcome through Celano’s website, www.alexandracelano.com.

Peter Beirer – All Creation Groans

By Billie Tarascio

Peter Beirer’s debut album All Creation Groans comes from the long time music minister/singer/songwriter and performer. The album was written over a period of eight years and its musical diversity reflects the different spiritual seasons in Beirer’s life.

Beirer combines horns and jazzy beats reminiscent of Skaa music with gritty vocals and honest lyrics. The result is an authentic, live feel. Even the album art consisting of drawings of skeletons underground, a lamb in a womb, and the Virgin Mary with angel wings contributes to the mood of unabashed honesty within the music. Highlights on the album include the upbeat catchy opening tune "Creation," "Alone," and "Long Time."

Beirer’s website reveals he is currently working full time as the Coordinator of Youth Ministry at St. John the Baptist Catholic Church in Mankato, MN, leading liturgical choirs, coordinating Young Neighbors in Action, operating as adjunct staff to the Center for Ministry Development. To find out more, and to purchase All Creation Groans, visit Bierer’s website at www.peterbierer.com.

Book Review - Keep the Fire Burning

2009-07-20T13:19:00.000-07:00

Ken Canedo - Keep the Fire Burning: The Folk Mass Revolution
Pastoral Press

By Susan Bailey

Ken Canedo, a liturgical composer, is the editor of the SpiritandSong.com blog and writes regularly for Today’s Liturgy magazine. He has written an important work on what he calls “the folk mass revolution” with his debut book, Keep the Fire Burning. At first glance, this book looks like a quick and easy read but don’t be fooled: Canedo has packed each of the 140 pages with fascinating research, history and very human stories on a period in the Catholic Church which surprisingly, few have written about. Keep the Fire Burning is much more than a book about the folk mass. It is a history of the amazing transitions the Catholic Church went through before and after Vatican II during one of the most turbulent decades in recent American history.
Keep the Fire Burning brought back so many wonderful memories for me, a baby boomer, folk music lover, and longtime participant in the folk mass/contemporary music movement. I was flooded with fond remembrances of the Latin mass, and the exciting transition to the English (or vernacular language) liturgies we have today. I also revisited with great pleasure how much folk music meant to me during the sixties and seventies, music which I totally embraced in my singing and playing as a Catholic artist. The folk mass played a vital role in my teen years, introducing me to lifelong friends, and my husband of now 30 years.

I had expected a wonderful, nostalgic read but Keep the Fire Burning proved to be so much more. Ken Canedo lay the ground work for what was to become the folk mass by reviewing the history of reform (and how it affected music) in the Roman liturgy. Canedo takes this history and weaves it through the lives of people who were the movers and shakers in the reform movement, some of whom eventually became key players in the folk mass revolution.

Yet, there is still more. While Vatican II and the liturgical reform movements were both vital to the birth of the folk mass, Canedo also takes much time to explore the social and political movements taking place in the fifties and sixties, and the rise of folk music as a means of voicing concerns about social justice. This social justice theme along with the influences of folk music legends such as Pete Seeger, The Kingston Trio, Bob Dylan, and Peter, Paul and Mary can be clearly heard in the early folk mass music of composers such as Ray Repp, Jack Mifferton, the Dameans and Carey Landry.

Keep the Fire Burning is not just a book to read, but is also a series of podcasts which allow you to actually hear the music. Canedo narrates the series, found at www.kencanedo.com, where there is an episode for each chapter. Since Canedo worked in the early 1970s for the now defunct FEL Publications (the first company to publish and market folk songs for the mass), he has access to many rare cuts of music which you will never hear anywhere else. The historical value alone is worth the listen.

Why should you read Keep the Fire Burning? The Folk Mass revolution has had far-reaching implications both inside and outside the Catholic Church, including laying the groundwork for the Contemporary Christian music industry, and giving a powerful voice to social justice issues in the Church. In keeping with the nature of secular folk music, Catholic folk music (now known as Contemporary music) was controversial in its time and is still so today. A resurgence of interest in Gregorian chant, traditional polyphony, and the Latin mass (with the reinstitution of Tridentine Mass by Pope Benedict XVI in 2007) stirs the controversy all the more, making Keep the Fire Burning a necessary read on the motivation, history and heritage of modern Church music.

Reading Keep the Fire Burning lit a fire in me, reviving my appreciation for both the Latin and vernacular masses, and the history behind them. It also gave much needed legitimacy to the folk mass movement which, in turn, affirmed my own music ministry as a liturgical song leader and Catholic recording artist.

My only complaint was that I wish Canedo had written more! The book ends just before getting into the era of the St. Louis Jesuits. Canedo has promised that there is more to come.

Keep the Fire Burning is a must read for any person involved with Catholic music, whether it be in traditional or contemporary liturgical music, or in the para-liturgical expressions found in acoustic gospel, rock, pop, hip hop and rap. Published by Pastoral Press, you can purchase your copy at http://www.ocp.org/products/6152. Listen to the podcasts at www.kencanedo.com.

CD Review - Leap of Faith

2009-07-20T12:43:00.000-07:00

Sharmane - Leap of Faith

By Susan Bailey

Leap of Faith is a big ‘leap’ forward for Sharmane. Emerging as a premier artist in Catholic music, Sharmane’s third project to date demonstrates the artistic growth and commitment to excellence that easily makes her able to compete with anyone in Contemporary Christian Music.

Sharmane is known for her energetic performances and the songs showcased on Leap of Faith bear that out. I can just imagine audiences standing and dancing to “Life is More” and “Stand Up.” Voices from the crowd would sing along with the on the infectious “No Matter What,” a hit single if I ever heard one.

Sharmane throws in a couple of older top ten cover tunes and puts a fresh new perspective on them, most especially Johnny Nash’s “I Can See Clearly Now.”

Production values are top notch as are Sharmane’s vocals. She shows a new confidence in her singing that really sets this project apart from her other CDs.

While the majority of songs are of the nature of “Life is More” and “Stand Up,” Sharmane also included a lovely and thoughtful song about grandmothers, mothers and daughters in “Generations.” This is a song she co-wrote with Alyson Bleistine. Out of the ten songs on the CD, she co-wrote six.

Anyone who still maintains that the quality of Catholic music cannot compete with CCM or the secular market needs to hear Leap of Faith. It and many of the releases from 2009 clearly demonstrate that Catholic artists are catching up and keeping pace.

You can purchase Leap of Faith from Sharmane’s website, www.sharmane.com.

CD Review: L'Angelus

2009-06-11T08:20:00.003-07:00

L'Angelus - Sacred Hymns

by James Rutherford, Tiberriver.com

A stunning new vision for traditional hymns.

I had the privilege of hearing an advance copy of Sacred Hymns and I was blown away when I heard it. The first album by L'Angelus was a mixture of Cajun-country-bluegrass and is a pleasure to listen to. What they have been able to do with this latest album is to fuse their unique sound with an unmistakably Catholic repertoire. But don't think these are hymns with a twang.

I recognized many of the tracks on the cover and was surprised when I started listening that some of them had different melodies than I was familiar with. The a capella Salve Regina is particularly nice because the melody is the chant form that most people are familiar with, but the astounding harmony transforms this into version you will listen to time and again. These new arrangements and the incredible musical talent these young adults possess make every song on the album a gem. They treat the listener with English, Latin, French and Spanish hymns and despite the wide array of inspiration, the album has a very unified feel.

If you haven't had the opportunity to see L'Angelus in concert or live on EWTN you should listen to some of the sample tracks and purchase this CD. They have always had an interest in Catholic music and had written a waltz in honor of St. Cecilia long before they considered recording Sacred Hymns. The Catholic market is a new venture for them and these young people have received a warm welcome in this community.

New Catholic music has the stigma of being inferior to Christian and popular music because of the schmaltzy nature and low production value it so often brings with it. Sacred Hymns smashes that stereotype and puts Catholic music on equal footing with the more popular genres. This is a great album for people of all ages.

You can purchase Sacred Hymns through Igantius Press.

CD Review:Michael Joncas - O God of Past and Present

2009-06-03T12:27:00.000-07:00

by Matthew Baute

Michael Joncas is probably best known for one song, and I have a sneaking suspicion that you know it well: everyone’s favorite funeral hymn,“On Eagle’s Wings”. This notoriety belies the depth of scholarship and volume of quality liturgical composition that Joncas has contributed to the Catholic Church over the past 30 years, and we are richer for it. In addition to being a composer, Joncas is also a noted author, speaker, and professor of theology at the University of St. Thomas in St. Paul, MN.

Joncas’ latest release of liturgical music, O God of Past and Present (published by OCP), is a good example of the depth of theological and musical thought that goes into his work. There is much to be pondered in this collection—plenty of food for thought that will help those singing this music and those listening to the CD know and experience their Catholic faith on a deeper level. I happily received a packet of choral octavos in addition to the CD, and the tracks are made richer by the composer’s notes at the end of the octavos. There are frequent references to the writings of Pope Benedict and to other official documents of the Church, along with suggestions of how these hymns might best be used at Mass.

This CD is refreshing because Joncas himself does not appear on the recording at all—the compositions themselves are what are important here. Nevertheless, they are executed beautifully by a skilled choir and instrumental ensemble. It’s a given that choir directors far and wide will appreciate this CD. However, the casual listener will also be uplifted by this sacred music. This collection goes a long way towards building a bridge of continuity between the musical treasures of our Church and new compositions, as called for by Vatican II. Joncas reaches back in creative ways, using a few Latin texts and creating new choral settings based on Gregorian chant, at times intermixed with English words. In addition to his own texts, Joncas employs a variety of sources, including two poems by Sr. Genevieve Glen, OSB, a talented hymn-writer from the Abbey of St. Walburga in Virginia Dale, CO.

All of the tracks on O God of Past and Present are sublime, pointing to the mystery and beauty of the One we come to worship at Mass. This is lasting music that will stand the test of time. May Michael Joncas’ latest work inspire composers to reach higher in their art. May it inspire listeners to connect with the God of love who has come to set us free.

You can purchase O God of Past and Present at http://www.ocp.org/products/20612.

New CDs from Deacon Chuck Stevens, Nancy Krebs and Christopher Dayett

2009-05-27T17:06:00.000-07:00

Deacon Chuck Stevens - Harvest of Love

reviewed by Susan Bailey

Since the release of Bethlehem Morn in 2005, Canadian musician Chuck Stevens has been ordained a deacon in the Roman Catholic Church. Deacon Chuck has felt compelled for several years to share what he has learned in his studies through his music. Harvest of Love is a wonderful expression of that knowledge.

The beauty of Harvest of Love is the truly sacramental nature of the songs. It is obvious by the lyrics that Deacon Chuck has done a lot of prayerful reading in preparation for his vocation. Each song teaches the core beliefs of the Catholic Church in a prayerful way that is very accessible through the lovely melodies.

The title cut, "Harvest of Love," was written originally as a way of thanking all the people that had supported Deacon Chuck in his journey. The lyrics, however, apply to all of us who have realized that everything we have is a gift from God, meant to be given back generously to God's people: “Here is a harvest of love from all of the bounty You've granted, we give back to You; here is a harvest of love, we offer to You with our neighbor, the fruits of our labor, the works of our hearts and our hands.”

I especially appreciated the way Deacon Chuck weaved the sacraments so effortlessly into the songs without actually naming them. A perfect example of this is “We Come to Return” which demonstrates the immense love and grace of God lavished to us through the sacraments of Baptism, Reconciliation and the Eucharist. The Church teaches us to live our lives sacramentally and songs such as this reinforce this core idea.

Songs such as “Elohim” and “How We Adore You” teach truths about the Lord God from scripture while inspiring the heart to pray and offer praise. Neither song especially exhorts to the listener to offer praise but rather, inspires because of content of the lyrics.

For example, “How We Adore You” proclaims truths about the Father, Son and Holy Spirit, allowing the listener to meditate upon the Trinity, and then offers this wonderful refrain which prepares the heart to praise: “All power and glory, all worship and praise, adoration and honor, till the end of our days belongs to You . . .”

The fifth song in the Harvest of Love collection is a nearly 10 minute sung version of the Jesus Prayer. The song is very easy to learn and once given the chance, will lead you on what Deacon Chuck calls a “mini retreat,” meditating on the great mercy of God. I have personally prayed this song many times and have been greatly edified by it.

Deacon Chuck has a strong sense of service to the poor which is beautifully expressed in “Could You Give Me Some Water.” Drawn from the gospel story of the great day of Judgment, when the sheep will be separated from the goats, Deacon Chuck begins the song by gently touching the conscience of the listener but becomes stronger in his exhortation in final verse. He recounts the number of hungry children in the world and calls on those of us who have been richly blessed with materials means to share with those who have very little. This song makes a very powerful social justice statement which is authentic, heartfelt and convincing.

Harvest of Love does have a drawback which will hopefully not prevent the listener from enjoying all the blessings and teaching this album offers: the production sounds home grown. There are some flat notes, mixing that isn't perfect, timing that is occasionally a little off, and sparse instrumental arrangements. Yet, I've seen a lot of musical growth since Deacon Chuck's last album which made it a joy for me to listen to, despite these problems.

Harvest of Love has quickly become a favorite of mine to listen to and pray along with. It can be purchased through CD Baby at http://cdbaby.com/cd/chuckstevens3 and is also available through iTunes. It can also be downloaded in its entirety for free at www.smalltalentmusic.com.

Nancy Krebs – Moved by God

reviewed by Susan Bailey

Nancy Krebs is a seasoned performer, having recorded 6 beautiful albums of meditation-style music marked by deeply thoughtful lyrics and fine storytelling. Her 7th CD, Moved by God, continues in this tradition but takes a major leap forward musically.

For the first time, I feel the musical arranging matches up to the quality of the songwriting. Soft contemporary instrumentation and whispered background vocals beautifully complement Nancy’s pure, effortless vocals, framing her lyrics.

Thematically, Moved by God is about movement. “These songs all contain some kind of ‘movement’: turning outward, inward, upward or downward in the direction that God would have us go,” Nancy writes in her liner notes. The artwork on the cover also beautifully conveys this theme.

Each of the 12 songs is top notch. Among my favorites is “The Quiet,” a gentle invitation to retreat to a place of silence to regain your center. The music sets the perfect tone and mood to achieve quiet in the midst of chaos.

I also love “Welcome Me Home,” a song loosely based on the parable of the Prodigal Son. It has a bossa nova feel to it, supporting the lyrics in painting the picture of a gentle and merciful Father.

“Mary Knew” is one of the most touching story songs Nancy has ever written. Her vocals perfectly punctuated the lyrics and took me deep into the story of the mother and Son and the special love they shared. I was truly moved and wanted to revisit that story again and again.

“We Adore You” and “Road to Emmaus” are two of the most upbeat songs on the album. “We Adore You” builds gloriously through the clever use of background vocals, while “Road to Emmaus” builds through the lyrics and the dramatic lead vocal.

All the songs achieve their goal – transporting the listener to the heart of God. I keep listening to Moved by God over and over to get back to that place.

You will too. You can purchase Moved by God through Nancy’s website at www.nancykrebs.com.

Christopher Dayett - Coming Home

reviewed by Angelo Natalie

Coming Home is the sophomore CD release by worship-leader Christopher Dayett. While Dayett’s first CD Here I AM covered several well-known praise & worship songs, his new collection features eleven originals from the Delaware native who is now based in North Carolina. His original call-to-hope “Anything’s Possible” appears in both releases.

One is first struck by the fine quality of Christopher’s voice. The easy delivery in his upper register and strong vibrato is reminiscent of pop icon Neil Sedaka. (If you’re coming up blank on Sedaka, Search iTunes Store and give a listen to “Bad Blood” and “Laughter In The Rain”.) The similarity of Dayett and Sedaka in vocal timbre is uncanny. It is not surprising that the cum laude theatre graduate of the University of North Carolina also minored in vocal music. In spite of the excessive reverb his voice truly sparkles.

Like his debut, Dayett once more opts for minimal production. This is all Christopher: solo voice accompanied simply but ably enough on piano. Some subtle synthesizer string pads provide a little sonic atmosphere far back in the mix. A violinist is credited as playing on the closing song “Go In Peace” but I had to listen a second time as it is barely audible. Nobody could fault Dayett with relying on production value to prop up this piano-voice demo of his songs of praise.

The songwriting on this project bears the mark of Dayett’s long-time work in musical theater and the influence of modern Catholic composers such as David Haas, Marty Haugen and the St. Louis Jesuits. The content is unapologetically Catholic with a clear Eucharistic bent. While Dayett gratefully acknowledges the inspiration of his bishop and former pastor, his lyrics suffer somewhat from the scarcity of rhyme and read more like prose with diminished returns on memorability.

I hope to hear more from this promising talent in the way of collaboration with other singers, musicians, songwriters and recording engineers who shine as bright in their crafts as Christopher does as a vocalist. The Church’s vault of metered prayers is crying out for fresh and well-crafted new musical settings. Maybe Christopher Dayett will find his way to treat us to his spin on them. One can hope.

You can purchase Coming Home at Christopher’s website, www.christopherdayett.com.

CD Reviews: Fr. Pablo Staub and Seasons

2009-05-04T11:54:00.000-07:00

Fr. Pablo Straub - Praying the Seven Sorrows of Mary with St. Alphonsus Maria Liguori

by Annie Karto

Little Lamb Music has produced another winning CD with Praying the Seven Sorrows of Mary with St. Alphonsas Maria Liguori, led by Father Pablo Straub, C.S.s.R. Those who have ever heard the voice of this widely popular Redemptorist priest know the story. Fr. Straub., a favorite on EWTN, is a storyteller, "par excellence," and he brings his great talent to this CD.

However, the major point of interest of Praying the Seven Sorrows of Mary with St. Alphonsus Maria Liguori is that all the music, lyrics, meditations and text are by St. Alphonsus, taken from several of his written works. Fr. Straub’s deep, passionate voice brings rich emotion to the words of the saint. A perfect backdrop of strings and melodic voices accompany the narration.

Praying the Seven Sorrows of Mary with St. Alphonsas Maria Liguori starts with the song, "Aspirations to Maria." The instruments and voices create a holy, reverential atmosphere, perfect for contemplating the Seven Sorrows of Mary. Fr. Straub then offers unique "short stories" on each of these Seven Sorrows, and the listener is led through the prayers that accompany each sorrow.

Fr. Straub interjects the phrase, "Oh my Mother, enable my heart to share your sorrow for the death of your Son." This beautiful CD will enable the listener to do just that - allowing one's own heart to "accompany" Blessed Mother Mary through Her Seven Sorrows.

You can purchase "Praying the Seven Sorrows of Mary with St. Alphonsus Maria Liguori” through Little Lamb Music at www.littlelambmusic.com.

Seasons - Which Way to Dublin Town

by Nancy Krebs

I’ve always been a fan of Irish music—Celtic music in general. The catchy tunes, the fiddle (which I play), the rhythms, the haunting lyrics and melodies all conspire to transport me back to my ancestral roots. Coming from an Irish-German family, music was always in the air—and I am a sucker for a reel and a jig. The new CD by Seasons, Which Way to Dublin Town hits the spot for the flavor and the feel of true Irish music. This is a trio of young sibling musicians: Mary-Kate Summer Lee on harp and hammered dulcimer, Mary-Teresa Summer Lee on harp, mandolin and percussion, and Peter Winter Lee on hammered dulcimer. They also have several great guest musicians to round out the ensemble. This second CD of theirs features mostly traditional Irish songs arranged in unique ways with non-traditional instrumentation—mixed in with a few American tunes done with an Irish flair, a Scottish tune, and two original songs written by Mary-Kate. This collection of songs is a good combination of evocative heart-wrenchingly tender songs and rollicking Irish favorites. There are seventeen tracks on this album, more than enough to keep you thinking, singing along and toe-tapping. It’s obvious these young artists have a love for God and the saints, and their faith spills over into their choice of songs for this unique collection.

Their arrangements include merging two tunes together, as in their Drowsy Maggie/Johnny’s Gone to France and Red Is the Rose/Down by the Salley Gardens, as well as Foxhunter’s Jig/Morrison’s Jig, are unique for Irish music. Since many traditional tunes have repetitive melodies, this concept of creating a medley adds variety, length and spice to those tracks. Just when you think you’ve learned the tune—it goes off in a different direction as the medley shifts from one tune to the next. It’s lots of fun to listen to, and keeps your ears on alert.

If I singled out every track, this review would be much longer than the space provided, but I did want to mention a few: the first track—78 Eatonwood Green is a Rich Mullins song that the trio is proud to present, since the reason they became interested in the hammer dulcimer was because of Rich. Ashokan Farewell is done beautifully on the hammer dulcimer—one of my favorite songs in the world, and their arrangement does it justice. The dulcimer work throughout this CD is just gorgeous, as is all the musicianship. I enjoyed the vocals as well. All the voices have captured that pure Irish quality with the slight ornamentation that Celtic singers possess—even though the singers on this CD are American. Mary-Kate’s two original songs are quite effective, Dalriada and The Helmsman both show a strong songwriting ability that I hope continues. The guest musicians included the very talented Martin Doman on guitar and Irish whistle, equally talented Tess Smith and Rebekah Callaghan on fiddle, Jim Dunbar on Irish whistle, Ezra March on mandolin.

If I missed one aspect of Irish music while listening, it would be for the bodhran, the Irish drum. I found after a while, I longed for some bass response, since most of the arrangements were comprised of higher pitched instruments, and some of the songs could have had more gravitas with the anchoring of a bass or low pitched drum. But this is a small concern, and perhaps my personal taste for this kind of music. The CD gives you such a feeling of peace, joy and wonder at their energy and musicianship—you’ll be humming Seasons’ tunes long after you’ve turned off your player. Their website is: www.seasonsmusic.com . However, when I visited, I didn’t get much information. I hope they begin to expand their site to give visitors some background on the group and updates.

New CDs from Lynne Clark and Sean Clive

2009-04-21T11:24:00.000-07:00

Lynne Clark – Later On

by Susan Bailey

Lynne Clark is a new and refreshing face on the Catholic music scene and her debut CD, Later On, presents 11 songs rooted in scripture, telling stories showing the Gospel in action.

The style is straightforward pop and the voice is strong and passionate. Songs such as “A Better Cup of Wine” and the catchy “Later On” relate the gospel stories in a fresh new way.

There is more to this CD than stories using scripture. Lynne also tells stories of life. The stories are not always easy to hear but she injects the hope of the Gospel in each of them. For example, “Little Flower” describes the anguish of an abused, neglected child, yet the refrain cries out, “Come on, come on little flower; let the Lamb dry your eyes.”

In “Innocent Man,” she relates the feelings of someone falsely accused who places his burden and trust on Another who experienced the same and died for it.

I was intrigued too by “In the Middle of The Trek” which is a strong affirmation of faith on the part of this songwriter about the road she’s chosen to travel in service to the Lord.

I look forward to hearing more from Lynne Clark. You can purchase Later On from CD Baby at http://cdbaby.com/cd/lynneclarke.

Sean Clive – What I’ve Settled For

by Susan Bailey

Sean Clive has teamed up with David Smith of Icon Music Studios for his fourth album, What I’ve Settled For. Equally as good musically as his previous album, Amazed, What I’ve Settled For covers new ground lyrically with songs affirming family life.

Sean has a unique gift for storytelling that immediately touches the heart. This album is full of stories about his wife and children. When you’re done listening to the 13 tracks, you feel like you’ve met the whole family!

While the songs employing scripture and exploring the faith life are very good (“The Everlasting” most especially – a great take on Psalm 90), it’s the songs about his wife and children that especially touched me.

Beginning with his wife, I don’t think I’ve ever heard a more touching love song of a husband to a wife than “Ordinary Way.” Consider this line as an example: “Dirty dishes, messy rooms and toys all over the floor – your knight in shining armor wishes that he could give you more . . .” Throughout the song you hear, “Sometimes it’s hard to find the words to say I love you in a not so very Ordinary Way.”

“The First Day” and “Go to Sleep” are beautiful songs sung to his children. I especially loved the bonus track on the album though, “Kids are Great” (dedicated to his ‘high-spirited’ daughter). Sung with a touch of loving humor and sarcasm, Sean relates stories that every parent will relate to.

What I’ve Settled For affirms family life in such a wonderful and genuine way. Sean doesn’t preach – he simply shares his life.

There are so many other wonderful songs on this album but you’ll have to purchase it yourself to find out. You can purchase What I’ve Settled For through Sean’s website at www.seanclive.com.

CD Reviews: Critical Mass, Matthew Baute, Kitty Cleveland

2009-04-06T13:28:00.000-07:00

Critical Mass - Body Language

reviewed by Nick Alexander

How's this for counter-cultural? Critical Mass, a Catholic rock group based out of Toronto, has crafted their latest CD, Body Language using rock music--a musical genre notorious for reveling in salacious and lewd imagery--to demonstrate and instruct about the Theology of the Body.

For those unfamiliar with the Theology of the Body, it was a series of lectures given by Pope John Paul II, upon arrival to his pontificate, about understanding sex--in all its fullness--in light of the Catholic Gospel. George Weigel, the biographer of Pope John Paul II, called this series a "theological time-bomb" which would soon "reshap[e] the way Catholics think about our embodiedness as male and female, our sexuality, our relationships with each other, our relationships with God--even God himself." (Forward, Theology of the Body Explained, Christopher West).

Disseminating such knowledge to the level that a non-theologian can grasp its truths is hard enough for an author or a public speaker... but a rock group? Music has a language all its own, and popular music disseminates thoughts with a series of sentence fragments—oftentimes speaking to the lowest-common denominator, building to a repetitive and hook-y chorus, with the option to incorporate a bridge—an alternate melodic and lyrical detour—if need be. Popular music today can be used as an effective teaching tool, especially when the music gives the lyrics a voicing that provides emotional depth to the cut-and-dry images contained in the lyrics.

Musically, Critical Mass is up to the challenge. After following this band for many years, I believe this is the best they've ever sounded. There is clarity and musicality in its guitar riffs, accompanied by solid production chops that are equal to what I hear on secular radio. The style veers from hard-rock ("Body is a Language," "No Consequence"), to joyous pop-rock ("Alone," "Walk You Home") to rock balladry ("Devotion") to praise and worship ("Body and Blood (Adoremus version)"). Regarding this last song, a reworking of an earlier song, it stands head and shoulders above the praise and worship musical landscape, improving upon the original with a wonderfully ethereal tone, and incorporating traditional Latin lyrics to the final product. I really appreciate it when Critical Mass lets it all out, taking musical chances and coming up golden.

Lyrically, David Wang and company have stretched their craft and raised the bar; there are stories here that speak to teenagers about the sexual permissiveness in society ("No Consequence"), the Steve Taylor-esque slam on artificial contraception ("Contraception Interception"), and the joys of committed celibacy ("Alone"). You may be hard-pressed to find a musical project that works this hard to shine the light of God's grace with this much minute detail in the darkened corners of our sexually saturated society.

Taking into account that this is Critical Mass's finest musical testament to date, with deep, detailed lyrics that are this faithful to a pertinent and applicable aspect of Catholic teaching today, I am hesitant to say that, to my ears, the marriage between lyrics and music do not entirely work.

One of the problems is that the melodies sometimes project an anger, a roughness, that runs contrary to the tone of some songs. Granted, this isn't a problem when singing about the corruption of today's media, or the problems within artificial contraception, but hearing the angry guitar riffs for "Friend" (a plea for compassion) and "Body is a Language", which lays the foundation for the glorious teaching of the Theology of the Body, is disconcerting. Not to mention that most of the lyrics are barely audible underneath the band's wall of sound (admittedly not a problem for those who have the liner notes on hand).

But even reading the lyrics and the liner notes, you read words that are more likely associated with PhD dissertations than in popular rock songs. Phenomenology. Phylogeny. Manichaeism. Pyres. There is a certain novelty in hearing such words used in a popular song format (in which the first of these words was vocally truncated into four syllables). In fairness, the band tries very hard to explain these concepts to the average listener in the liner notes; but it's still got a ways to go.

Even though I have reservations about the final product, I wish all bands choose to not play it safe, and take the educated risks that Critical Mass has done. They ought to be commended for helping advance Catholic music and raise the listener up with knowledge and wisdom of our faith. This is most especially true for the sonic blast that accompanied this theological time bomb of the Theology of the Body.

You can purchase Body Language at the Critical Mass website, www.catholicrock.com.

Matthew Baute - River of Grace

reviewed by Susan Bailey

Matthew Baute has always produced prayerful music that leads one to a sacred place. His other two albums, Love Wins All and Hold Me, Lord, contain such meditative music. His latest, River of Grace, rises to a new level of excellence, with 12 exquisite songs perfect for prayerful meditation.

Baute has a lovely, textured tenor that can remind you of Martin Doman or Michael John Poirier. His songs, though, have their own signature.

There are so many songs to mention. “Through All Generations” is a song of hope and comfort inspired by Psalm 90: “You have been a refuge through all generations.” The beautiful acoustic guitar work which graces this song and many others on the album are all skillfully played by Baute.

Other wonderful songs on this album include “It Is Mercy,” (a wonderful reflection for Lent); “Purest Virgin Mary” (where I felt that unique touch of peace from the Blessed Mother while listening); “Humility” (2 simple lines for powerful meditation: “Jesus, meek and humble of heart, make my heart like yours,”); and finally, “One” (a song describing an intimate relationship with God, but which could also be used to describe a marriage relationship (see video at http://www.songsforprayer.com/video.asp).

Being a lyric person, I normally judge music by the lyrics as they feed my faith and encourage me. River of Grace, however, transcends the lyrics with its music. It is one of the few Catholic albums I've listened to where the instruments speak to me as much as the voices.

The cover artwork is simple and exquisite; it so beautifully illustrates the prayerful and soothing music of River of Grace.

You can purchase River of Grace through WLP Music at www.wlpmusic.com.

Kitty Cleveland - Sublime Chant: The Scotland Project

reviewed by Susan Bailey

Kitty Cleveland has one of the most beautiful voices in Catholic music today. She is a versatile vocalist, having performed both classical and popular music very capably. Her technical ability is only surpassed by the warmth and prayerfulness that she injects into every single song.

So it seems quite fitting that for her latest project, Sublime Chant: The Scotland Project, Kitty has tackled traditional Gregorian Chant, covering such classics as “O Salutaris Hostia,” “Ave Maria,” “Attende Domine,” “Pange Lingua Gloriosi,” “Ave Verum Corpus” and “Salve Regina.”

Kitty traveled to Dunblane, Scotland to record these chants in the setting of a glorious cathedral. The result is exactly what the title suggests – sublime chant. A single glorious voice, sometimes accompanied by a quiet pipe organ, produces soothing and prayerful renditions of these timeless Gregorian chants.

Having come to appreciate Gregorian chant in just the last few years, I was thrilled to get my hands on this project and it has a permanent place on my mp3 player.

You can purchase Sublime Chant: The Scotland Project at Kitty’s website, www.kittycleveland.com.

New CD Reviews from Dave Wang, National Catholic Register (Canada)

2009-03-25T19:24:00.000-07:00

Last year was a huge year for Catholic music, from Matt Maher's success in the Christian music scene, to The Priests’ traditional recording selling millions, to the surprise success of the Cistercian Monks of Stift Heiligenkreuz with the CD "Chant-Music for the Soul". Now, 2009 is starting with a bang for Catholic artists as well! In addition to these recordings, I invite you to check out www.CatholicRock.com for Critical Mass' new album "Body Language", which is now available for just a donation!

Sal Solo- We Cry Justice!
Sal Solo's newest release is a brave and hugely successful experiment. It is a concept album focusing on social justice issues from a Catholic perspective. Appropriately, Sal Solo uses the genre of world music with contemporary rhythms and rap thrown in. Together with arrangements and instruments indigenous to roots music from Australia, Africa and other exotic locations, the lyrics tell of Catholic social teaching, from our treatment of the poor in the brilliant "50 cents a day" to the pro-life message of the Church. One can't hear these songs without feeling convicted and being inspired to do more for the less fortunate of our world. A highlight is a brilliant reworking of "Money" by Pink Floyd. I predict that this CD, which was entirely recorded direct to a Mac laptop, will be one of the best albums of the year. Get this CD from www.SalSolo.com.

Janelle- What I Gotta Say
This new release from Canadian Janelle from Alberta is a terrific rock/pop recording. With great melodic hooks and lyrics celebrating the true beauty within every individual's soul, Janelle's third recording is her best. "Overall, I feel like this CD really is the best of me and what God has so generously done in my heart throughout this season in my life", explains Janelle, who is now a mother of three children. For the first time, Janelle shares significant songwriting credits and this is a good thing. "This album shows the beauty of my mission as wife and mother, but also of learning and growing to be a virtuous woman of God." What a great recording and what a great role model. Highly recommended. Go to www.Janelle.cc to grab this CD.

Billie Tarascio- Send Me
It is always exciting to see new artists in the Catholic scene. Featuring great songs and superbly produced by Dave Smith, this release from Billie Tarascio, a female lawyer from Oregon, is a terrific pop recording and establishes this artist as one of the best new female vocalists to appear on the Catholic music scene this past year. The more upbeat numbers, like the title track, are solid but the slower numbers are where the album excels. There is a haunting "Our Father" and a beautiful "Hail Mary" and a wonderful ballad in "Lay It Down". Go to http://billietarascio.com/ to support this new artist.

Isidore Bard- Roadsongs and Parables
Mediatrix Records from Michigan has another winner here! This is great pop/folk recording which features the unique voice of Isidore Bard. Picture contemporary sounding vocals that sound like James Taylor but with much more vibrato. Bard's vocals and unique lyrics distinguish this album from all the other recordings from Catholic music scene. The highlight for me is "Sweet Death", which is an example of the great storytelling abilities of this new artist. This infectious new recording is definitely worth a listen. Check out www.mediatrixrecords.com for this release.

Susan Bailey- Mary, Queen of Peace Meditation Guide and Sung Rosary
Rosary CDs have always been big sellers among the Catholic audience. This is simply one of the best rosary projects I have seen. Besides featuring very pleasant music that acts as a soundtrack to the rosary, there is a terrific booklet that goes along with the CD that has great readings and reflections for the prayers. If you know anyone who regularly prays the rosary or if you want to inspire someone to start praying the rosary, go to www.sungrosary.com to grab this project.

New CDs from Tom Booth, Jackie Francois, Stephen DeCesare

2009-02-24T17:41:00.001-08:00

Tom Booth – Captured

Reviewed by Matthew Baute

Tom Booth has long been one of the leading composers and recording artists active in contemporary Catholic music today. Listening to his latest CD Captured, it’s easy to understand why. This recording is a finely crafted work of art, filled with songs that will inspire and challenge the listener to a deeper faith and a more authentic walk with Christ.

Right away the opening track “Can We Love?” asks if our faith means more than simply attending Mass on Sunday or listening to P&W music in our car: “Can we lay down our lives? Can we wear his crown of thorns? Can we drink the cup that he drinks?” These thought-provoking questions are an important reminder of what our faith must ultimately be about – Christ transforming our hearts with a love that inspires us to reach out to serve others.

“You Stand Knocking” is a standout track, with an anthem-like refrain that will surely find wide use at Masses and at XLT Eucharistic Adoration prayer services. This song could easily find its way onto mainstream CCM radio, as that industry continues to discover the wealth of contemporary Catholic music and musicians like Matt Maher, whom Tom Booth mentored for many years.

Another favorite track is the finale, “O Salutaris Hostia, O Saving Lamb”, which adds a new refrain to the traditional Eucharistic exposition hymn composed by St. Thomas Aquinas in the 13th century. It’s a wonderful trend that contemporary Catholic composers like Maher and Booth have been following, introducing the musical treasures of the Church to a new generation of listeners. Indeed, there is much for all of us to gain from revisiting lyrics and melodies that have stood the test of seven centuries.

My favorite track from Captured is a song that I first heard on the Steubenville Youth Conference 2007 CD. “Come Holy Spirit”, driven by the artist’s fine nylon-string guitar playing, a lush string arrangement, and stunning vocal harmonies, is reminiscent of the prayerfulness of John Michael Talbot’s music. On first hearing this song I was brought to a place of deep reflection and peace. This contemplative piece is juxtaposed with several upbeat and rocking songs on the disc, making it an interesting listen from start to finish.

The songs on Captured add to an already-impressive repertoire of music that Tom Booth has gifted to the Church, a body of work that has nourished the faith lives of many across the country and around the world. Thanks for the gifts, Tom, both old and new.

You can purchase Captured at www.spiritandsong.com/store/music/20739

Jackie Francois – Your Kingdom is Glorious

Reviewed by Susan Bailey

I first heard of Jackie Francois on the SpiritandSong Commons compilation CD singing “My Soul Rejoices,” a lovely song based on the Magnificat from the Gospel of Luke. The refrain was unusual and memorable and her voice was very pleasing. I found myself wanting to hear more.

I was very glad to receive a copy of Jackie’s debut CD, Your Kingdom is Glorious, and I was not disappointed.

Let me first say that I am a big fan of Jackie Francois’ voice. It is clear yet full, strong and expressive – a voice, frankly, I wish I had. But Francois is not just a singer – she is a very capable songwriter as well.

The aforementioned “My Soul Rejoices” is a fine example of her songwriting and appears on Your Kingdom is Glorious. Francois has written a fine variety of songs ranging from upbeat pop songs such as “Holy Are You, Lord” and “Joy” to the softer sounds of “God My Father” and “Be Forgiven.”

Her treatment of chastity in “For So Long” was very noteworthy, avoiding the usual clichés for lyrics based solidly on scripture.

Your Kingdom is Glorious is an album I will listen to again and again. You can purchase your copy through the SpiritandSong website at www.spiritandsong.com/artists/jackiefrancois/discography.

Stephen DeCesare with Christiana Rodi - Songs for the Journey

Reviewed by Sally Bolderson

If you are attracted to the strong sounds of well trained classical voices, you will enjoy this offering entitled “Songs for the Journey” from St. Martha’s Church of East Providence, Rhode Island. It’s an interesting mix of standard classical songs such as Schubert’s “Ave Maria”, Franck’s “Panis Angelicus” and Mozart’s “Exultate Jubilate” along with songs that lean to this side of contemporary such as “How Beautiful” and “Prayer of St. Francis. There are also several original compositions by Stephen DeCesare.

Stephen DeCesare along with Christiana Rodi are the two soloists on this CD who are obviously trained vocalists. They are able to bring across the depth of the classical pieces as well as the sincerity of the more contemporary songs.

The original songs written by Stephen DeCesare have solid messages of our faith and draw very closely from actual scripture. One song in particular “Magdalene” is a song which intersperses narration of the scriptures of Mary Magdalen washing the feet of Jesus with musical dialogue alternating where Jesus rebukes the Pharisee’s comments in her defense. The song “Choose Life” has a very strong message of contemplation where the pregnant woman has a conversation with Jesus about what to do and in response of her question, he states that she should “choose life.” The alternating voices of male and female in these songs although logical in the text, made me feel as though I was listening to a musical. There wasn’t enough information on the CD inserts to indicate if this might in fact have been the case of music to go along with a skit or play setting.

All in all, Songs for the Journey is a solid CD although the classical pieces were pretty predictable in the Catholic music repertoire almost to a fault as they are encountered on many CDs. I felt at times the strong voices and the background music weren’t always in synch in regards to volume compatibility. The original songs were thought-provoking and blended in well with the known classical pieces. The strong vocal power carries this CD and will provide the listener with good listening on the whole.

To purchase a copy, contact St. Martha's Parish in East Providence RI:
St. Martha
Address: 2595 Pawtucket Avenue, East Providence, R.I. 02914-3292
parish email address: stmarthaschurch@cox.net
Phone: (401) 434-4060
Fax: (401) 434-4849

3 Beautiful Ancient Liturgical Projects

2009-02-24T16:47:00.001-08:00

Reviewed by Susan Bailey

Jade Music, a part of Milan Entertainment, specializes in ancient and modern liturgical music with repertoire from internationally celebrated artists. I received 3 such projects from them:

Anthology: Chants and Polyphony from St. Michael’s Abbey Norbertine Fathers

Hildegard von Bingen Catherine Braslavsky and Joseph Rowe

Sacred Georgian Chants The Georgian Harmony Choir conducted by Nana Peradze

These 3 CDs are now a cherished part of my collection, and part of my regular listening.

I am a total amateur when it comes to chant and ancient music, so I can’t review these projects from an academic standard. But as a listener, I am totally taken in by all 3 of these projects. They each create a powerful atmosphere of prayer that never fails to whisk me away to a heavenly and peaceful place.

Anthology: Chants and Polyphony from St. Michael’s Abbey by the Norbertine Fathers is a follow-up to their lovely Christmas CD (see review here - http://gvcatholicmusicreviews.blogspot.com/2008/12/cd-review-christmas-at-st-michaels.html). This time polyphony was included as well as Gregorian chant. The performances were done live (as evidenced by the charming snippets of bird song heard in the background). Here is a sample from Anthology:

Hildegard von Bingen by Catherine Braslavsky and Joseph Rowe is a stunning modern interpretation of ancient liturgical music written by a brilliant composer, visionary, healer and writer who lived in medieval times. Hildegard von Bingen’s musical legacy fell into obscurity until the last few decades; she is now recognized as one of the greatest medieval compoers. I was first introduced to von Bingen’s music during a concert by my daughter’s college concert choir and I was instantly taken in by the mystical quality of the music. Braslavsky and Rowe create an amazing atmosphere; Braslavsky delivers a passionate performance while Rowe uses a variety of eclectic instruments to accompany her singing. Here are some samples from the CD:

My favorite of the 3 projects is Sacred Georgian Chants by The Georgian Harmony Choir conducted by Nana Peradze. Georgia is an ancient Christian nation and the Orthodox chant sung by the Harmony Choir is exquisite. The singing is breathtaking – incredibly precise (expertly conducted by Nana Peradze) and yet remaining prayerful, creating a heavenly atmosphere of peace. Here is a sample from the album:

Visit the Jade Music website at www.jade-music.com to purchase your copies of these fine projects.

CD Reviews: Sean Forrest and SpiritN3D

2009-02-19T09:08:00.000-08:00

Sean Forrest - Haiti (I Want to Know What You Know)

Reviewed by George Lower

Sean Forrest really rocks the house with his new release Haiti (I Want to Know What You Know). However, beneath the surface of the music lies a heart that is truly open to serving the Lord. Sean’s project was conceived as a fund raiser for his ministry Movin’ With The Spirit Mission Haiti (www.mwts.org) to benefit the villages of Duverger and Dandann. MWTS is planning a four phase building project that will include a school, orphanage and clinic.

Nevertheless, the good work being done by MWTS is not the only reason you should want this CD. Sean’s songwriting and production skills are superior. His acoustic driven folk-rock style will have you singing along with nearly every track. I was particularly impressed with track #6 “Only So Many Days.” I think Sean’s version of the “Hail Mary” (track #3) comes in a close second in my book.

Sandwiched between the opening and closing songs recorded live in Haiti with local villagers, I found a humble soul who has the heart of Mother Teresa and the musical chops of John Cougar Mellencamp. For more information you can visit the MWTS website: www.mwts.org.

SpiritN3D, These Three Nails

Reviewed by George Lower

SpiritN3D describes their music as a blend of Christian Contemporary and Rock music. Their new release These Three Nails aims high and at certain points achieves some measure of craftsmanship in the rock genre. The recording is certainly clean and full of high energy guitar licks.

The biggest disappointment with These Three Nails lies in the songwriting itself. Both melodically and lyrically the songs seem to lack focus. While the messages were positive, I found myself looking for a melodic or lyrical hook that never seemed to be present. Additionally, many of the songs ran for over six minutes; typically songs this length need to be well developed in order to engage the listener.

That is not to say that SpiritN3D lacks heart or talent. In fact, I could see a band of their level doing a great job of covering some Contemporary Christian hits. I would humbly suggest this approach for their next project.

You can pick up These Three Nails at their website, www.niteimage.com/clubs/Spiritn3d/home.htm

Review of Rosary Book and CD by Susan Bailey

2009-02-13T06:40:00.000-08:00

Review on the Catholic Exchange website by Cheryl Dickow, Catholic book publisher (Bezalel Books)

February 13th, 2009 by Cheryl Dickow

I really don’t sing well and as a result, I really don’t sing much. Actually, I don’t sing at all. I’ve heard it said that singing in Mass is like praying twice but I just can’t bring myself to sing above a whisper in Church. I know that my Catholic brothers and sisters should welcome my sad attempts to carry a tune but I just have a difficult time believing they will. It’s not that they aren’t charitable in spirit as much as I am convinced no soul has ever had a voice as off-key as mine. So, singing for me is just not something I do.

That, of course, makes me view singing as a beautiful gift from heaven and turns my appreciation for a recipient of such a gift into true awe.

Susan Bailey — singer, songwriter, performer — is one of those gifted individuals whose talents I so admire. I actually came across Susan’s work quite by accident, if there is such a thing in God’s grand plan. It just so happens that I had been searching the web for a new rosary CD to replace one that I had worn out — yes, it actually wore out — and in the midst of that search I received a phone call from Susan who was, at the time, gathering information about publishing.

It turns out that Susan’s CD is a sung rosary and she has a beautiful book that accompanies it; a mutual friend recommended that Susan contact me regarding the book piece of her package. One thing led to another and while I shared some information with Susan I also found out that she writes music reviews for an online magazine called GrapeVine. As we talked I told Susan that Today’s Catholic Woman would welcome sharing any of her reviews with its readers. One of our goals at TCW is to provide Catholic women with the latest information regarding books, movies, and music that are worth knowing about.

When Susan mentioned that Lisa Hendey — TCW’s own Geek Gal — had just interviewed her for a podcast segment, I knew I had struck gold! After all, anyone who follows Lisa’s painstaking music and book reviews knows that she is a great source of book and music recommendations. I then suggested Susan send me her book and CD so that I could share her work with our CE readers as well and I couldn’t be more delighted to do just that! After listening to Susan’s work, it did not surprise me to find out that Susan has appeared on EWTN “Backstage” and other Catholic programs, as well.

What Susan offers in her combination CD/Book packet is a “must-have” for every Catholic woman today. The rosary is sung in such a way that you actually feel yourself pulled into the melody; even lackluster singers, such as myself, will find themselves easily singing along. This has already become my favorite rosary CD. And if the beautiful music isn’t enough, the booklet that comes with it is a work of art. Beautiful pictures of stained glass windows and magnificent icons, along with meditative writings will surely bless each reader.

The rosary is a gift we have as Catholics and Susan Bailey’s CD/Book set is sure to please Catholic woman interested in making the rosary a more integral part of her own daily walk with Christ.

Susan’s website is www.sungrosary.com and be sure to check out Susan’s contribution to TCW, in which she introduces us to the amazing life of Renee Bondi.

Cheryl Dickow is a Catholic author and speaker. Her company, Bezalel Books, publishes Catholic fiction and non-fiction titles. Cheryl is CE's Associate Editor for "Today's Catholic Woman," the Catholic Exchange woman's channel.

Two new CD Projects by Sue Peters and Cyprian Consiglio (OCP)

2009-02-12T08:57:00.000-08:00

Sue Peters – Beautiful Brokenness

reviewed by Sally Bolderson

As I began to listen to Beautiful Brokenness, the debut CD by Sue Peters, I was impressed by the contemporary sounds she brings forth so well. I immediately thought that this CD and her style would be a perfect fit for youth ministry. The messages touch on our human weaknesses and the healing and forgiving love of our Father which ultimately ends in thanksgiving for graces received.

Her vocals are very compelling with a strong, driving accompaniment that pulls it all together. The lyrics are powerful in their simplicity; the perfect fit for communicating with teens. The messages are to the point and very singable. I can see a youth gathering where all of the teens are able to be an integral part of the music.

As I researched Sue I realized that her past experience included 5 years as a lead vocalist traveling with a contemporary Christian band. That explains her perfect interpretation of this genre. I was also intrigued by her testimony that brought her to Christianity at the age of 15 through a “date” where the “cute guy” took her to church. Although she didn’t stay with the “cute guy” it brought her to Jesus and as they say “the rest is history.” It’s exactly what we strive for in teen ministry to bring these young people to Jesus and to a deeper relationship with Him in their faith.

I am very impressed with Beautiful Brokenness and feel that we will hear more and more about Sue Peters in the years to come. She has the right sound for an eager audience.

You can purchase Beautiful Brokenness by emailing Sue at suepeters13@comcast.net.

Cyprian Consiglio – Awake at Last (OCP)

reviewed by Matthew Baute

Cyprian Consiglio’s newest release Awake At Last captured me immediately on first listen. A Camaldolese Benedictine monk, Consiglio has a keen interest in meditation and prayer. Following in the footsteps of Thomas Merton, he has traveled extensively to dialogue with monks of other religious traditions. His journey of contemplation and outreach is reflected on this CD, with a wide musical palette being used to present several psalm settings, Gospel acclamations, a nearly eight minute Litany of the Holy Cross, and other hymns.

Awake At Last opens with an enchanting contemporary rendering of the Gregorian chant “Attende Domine”, using lush vocal harmonies that build slowly, drawing the listener into prayer. Consiglio has added new English text that supplements the traditional Latin, continuing a trend in recent Catholic music to introduce the musical treasures of the Church to a new generation. I was wanting much more of this piece, but it soon transitions into another beautiful track, a Lenten hymn that offers wisdom for all of us: “Leave the past in ashes / and turn to God / return to God / with tears and fasting.”

As producer of Awake At Last, Consiglio chose to employ several other vocalists and choirs to assist him in delivering the material, so it’s easy to envision the majority of these pieces being sung by choirs at Sunday Mass, as well as being used for personal prayer. Several upbeat hymns express the joy of the Easter season, completing the presentation of a seasonal journey, and complementing the more meditative songs. I found the arrangement of one piece (with saxophone and Gospel-style singing) towards the end of the CD to be out of place, but this is a minor complaint to an otherwise wonderful recording.

I recently had the privilege of attending an evening prayer service that Consiglio led on acoustic guitar, and it was deeply moving. He is a talented musician, yet his guitar playing on this recording is humbly understated as he allows other instruments (cello, flute, oboe, horn, eastern percussion) to tastefully enhance the beauty of the melodies he has composed, several of which are now engrained in my memory.

You can purchase Awake At Last through OCP at http://www.ocp.org/products/20561

New projects from Mark Forrest, Dan Schutte, Gerard Faucheux, Paul Hilts and OCP

2009-02-03T10:31:00.000-08:00

Mark Forrest, Celtic Tales

Reviewed by George Lower

The Emerald Isle certainly has much to be proud of in her native son, Mark Forrest. Mark’s release Celtic Tales is definitely a sonic treat of traditional Irish tunes set to tasteful orchestrations. Mark’s clear and smooth voice carries the listener on an inspiring journey that stirs both the heart and the mind.

As I listened to Celtic Tales, I was especially impressed with Mark’s use of the sonic space. Each song had exactly the right amount of orchestration without any song feeling overproduced. Of course, being a guitar player myself, I was partial to the classical guitar on track 3, “Ride On,” the intro really sets the tone for the whole song.

It is to be expected on any album of Irish music one will encounter the topics of patriotism, love and heartache. Sometimes, the subject matter may be a little dark; but, the hope that someday things will be better clearly shines through in this masterful collection. Celtic Tales may be purchased directly from Mark’s website: ww w.markforrest.com.

Dan Schutte, Table of Plenty Anthology, 1985-2000 Published by OCP.

Reviewed by George Lower

It was pleasure to review the latest release by Dan Schutte, Table of Plenty Anthology, 1985-2000. Dan has long been one of the seminal voices of the liturgical renewal. His roots extend back to the work of the St. Louis Jesuits in the 1970’s. Dan’s songs have been consistently been in the forefront of the new music written since Vatican II. His music has also drawn a lot of criticism over the years as well. Many of his early works, including such popular titles as “Glory and Praise to Our God,” “City of God,” and the ever popular “Here I Am, Lord,” fuel heated debates among self-proclaimed liturgists in the blogosphere.

Nevertheless, it appears to this author that much of what has been alleged is simply untrue. the Table of Plenty Anthology, 1985-2000 captures a very prolific Dan Schutte who has tremendous depth when it comes to composing. It is amazing how well his compositions are able to bridge the distance from traditional organ and choir to folk type ballads with jangly 12-string guitar. Dan effortlessly seems to compose music for any type of liturgical music ensemble and across an amazing range of musical genres.

Since this collection is an anthology there is no new material to review, but one cannot help but be impressed by the depth of a composer who shifts seamlessly from Roger McGuinn inspired guitar work on the opening track “Table of Plenty” to the full-bodied pipe organ with SATB choir on track seven, “Sing, O Sing.” In short the Table of Plenty Anthology, 1985-2000 is a CD that should be in the private library of every serious pastoral musician in the Catholic Church.

Table of Plenty Anthology, 1985-2000 is available from Oregon Catholic Press. More information can be found online at: www.ocp.org.

Gerard Faucheux - How Can You Think of Me?

Reviewed by Jim O’Meara

When Gerard Faucheux first sent me songs he had recorded, I heard right away a quality to his voice and to his music that made me want to hear more. He had not yet recorded an album, so I sent him to Dave Smith and his Icon Studio Productions. This collaboration produced Gerard's debut CD, How Can You Think of Me?, which features 11 songs written by Gerard, with some help from Dave Smith on several. They are songs of praise, of wonderment, of worship.

Gerard's ministry continues to grow, and with God's help, we will all be hearing a lot more from Gerard Faucheux.

Purchase your copy at www.gfsongs.com.

Here’s a song from the album:

Paul Hilts – Adoration for a New Springtime

Reviewed by Jim O’Meara

Paul Hilts' new CD is entitled Adoration for the New Springtime. Paul wanted to create a CD that featured music to be used for a contemporary Eucharistic Adoration service. This album features twelve songs as well as a songsheet master that includes the script for the service, as well as lyrics for the songs. Paul wrote the music for five of the songs, and uses some traditional songs as well.

Whether for parish use or for your own person prayer and meditation, this is a CD you definitely want to buy.

Purchase your copy at http://cdbaby.com/cd/paulhilts

Here are samples:

OCP – Choose Christ 2009 (songbook)

Reviewed by Sally Bolderson

With the insurgence of youth ministries in the Catholic Church with the youth events begun with Pope John Paul II, there has been a growing awareness of the need for contemporary music resources with a Catholic perspective. In the role of liturgical ministry in a youth and young adult setting, it is challenging to find music that is not only attractive to the young Catholics but also music that is sound in the teachings of Catholicism.

Over the past several years, OCP (Oregon Catholic Press) has made attempts to address this growing need with Spirit and Song I and II and some other smaller books that are focused with the young people in mind. As one who actually works with elementary and teenaged persons in the liturgical setting, I can appreciate the newest product in this market being promoted by OCP.

This new perspective, I believe, is the best answer to the Catholic contemporary scene. Entitled Choose Christ 2009 the introductory package states “There’s an explosion of top-quality contemporary music in the Church today. Thanks to Choose Christ 2009, the work of choosing the best titles has been done for you…..” As I scanned through the titles in the “Assembly Book” provided I was very pleased to see not only the older standards such as “I Will Choose Christ”, “Go Make a Difference” but also the newer favorites that my particular teens are asking for such as “Mighty to Save” and “Marvelous Light.” I was also happy to see the incorporation of some of the popular songs from the contemporary Christian artists that are very popular with the Catholic congregations such as “Blessed Be Your Name” by Matt Redman and “Breathe” by Marie Barnett.

As it is presented, the accompaniment books and CD libraries are available for purchase and each year (as is done with the Music Issues and Breaking Bread) annual music supplements with CD’s of the newly added songs will be available. The Assembly Book includes 115 songs and is affordable in a $2.00 per book paperback that can be used easily along with the Music Issue or Breaking Bread for a total, affordable package that parishes could incorporate easily into their weekly Masses.

I believe OCP has it right with this new offering in Catholic contemporary music resources. In an effort to follow the teachings of our Catholic church, it is nice to have this type of support in song choices that meet those needs in Choose Christ 2009.

Visit their website at ocp.org.

CD Reviews - Rocking Romans, John-Paul Kaplan, Peter Kolar, Trinity Session, Fr. Christopher Wilcock

2009-01-20T12:09:00.000-08:00

Various - Rocking Romans 2008 Best of New Catholic Music

Reviewed by Fr. Kent O’Connor

To get an idea of what’s going on in today’s Catholic rock music, Rocking Romans 2008 Best of New Catholic M usic, is a great place to turn. Although missing perhaps some of the biggest acts in Catholic music, this compilation CD features amazing artists, such as Sean Clive, Joel Stein, Last Day, and Critical Mass. I think that anyone who enjoys modern rock would find at least one real “keeper” on Rocking Romans 2008 and probably more. I have my favorites, but I think compilations are more of a “to each his own” type of thing. It is a strong collection with some more familiar artists and some less familiar ones. Hopefully, Rocking Romans 2008 will introduce some of these great musicians to a wider audience.

You can purchase Rocking Romans 2008 Best of New Catholic Music at www.rockingromans.com.

John-Paul Kaplan - Keys of Time--My Favorite Piano, Volume I

Reviewed by Fr. Kent O’Connor

Keys of Time--My Favorite Piano, Volume I is a beautiful collection of ten piano solos by Catholic artist, John-Paul Kaplan. One look at the song list and it is clear that this is not a “background CD” for a reconciliation service. This is a collection of mostly secular standards, including “I’ve Got Rhythm,” “Chariots of Fire,” and “Rainbow Connection,” with three original pieces by Kaplan.

I love piano music myself, though admittedly, I often use it for background. Whereas Keys of Time could be used for that purpose, it deserves a closer listen. Only through a closer listen will one hear Kaplan’s more clever arrangements. Check out the opening track, “Night and Day,” where the song itself contains “night and day” differences in style. And a little “moonlight” thrown in for good measure is a nice touch. There’s also “I’ve Got Rhythm,” which during the first part of the song had me asking, “well, does he?” By the end of the song, there is no question: Kaplan has both rhythm and pizzazz.

I could have done without “Chariots of Fire,” but at 1:52 running time, it’s mostly harmless. It’s a great Vangelis melody, but sadly, the Oscar-winning film has been parodied so many times, it’s hard not to think of those parodies when one hears the song. I also don’t think it is his strongest arrangement. To me, it sounds a little like Kaplan needed a tenth song for a complete CD, so he chose this one.

I would have preferred that Kaplan put some more of his own material on Keys of Time, because those are my favorite tracks. But, then again, the title says that this is his favorite piano, not mine. How can you argue with “his favorite”? However, the title also says that this is “Volume I.” So I hope that his “favorites” for Volume II are more of his own pieces, because they would probably also be my favorites.

The CD is available from CDbaby at www.cdbaby.com/cd/jpkaplan 2.

Peter Kolar (World Library Publications) - Misa Luna

Reviewed by Kerry McMasters

Peter Kolar was born and raised in Detroit Michigan. Peter began taking piano lessons at age seven. He became involved in music ministry at an early age and also played in the family’s polka band. He had also formed a folk group with his older siblings. Peter earned his Bachelor’s and Master’s degree in Music Composition from Northwestern University in Evanston Illinois.

Peter is currently the Hispanic Publications editor at WLP. His latest CD, Misa Luna is put together very well. The CD covers arrangements that are both traditional and contemporary, and in both English and Spanish. There are also Eucharistic Acclamations for use in Children’s Liturgies both in English and Spanish. I really can’t say enough of how well this CD is laid out. The arrangements are so simple and easy to learn that any congregation will be able to sing these parts in no time at all. I am very pleased at how the voicing of both the instruments and the singers all blend very well.

I would feel very comfortable singing these songs and acclamations during a bilingual Celebration of the Eucharist. The melodies and structures of the acclamations are very easy to learn. Again the quality of the recordings and voicing of instruments and singers is superb. A CD such as this that covers both traditional and contemporary recordings of the same songs and in both English and Spanish has been long overdue. This CD recording certainly speaks for itself.

Well done Peter!

To learn more about Peter and his music, follow this link: http://www.wlp.jspaluch.com/1721.htm

Trinity Session – Walk On

Reviewed by Billie Tarascio

Walk On is the debut project for Trinity Session a group of four women from Lancaster, Pennsylvania singing praise to God. Although the women first began performing together in 1995, it wasn’t until 2001 that they officially banded together, and in 2006 they released their debut album Walk On.

Trinity Session could be compared stylistically to Avalon or Point of Grace. Walk On doesn’t have the big production sound of an Avalon album, but the group certainly isn’t lacking talent or creativity. Listeners can expect four-part harmony throughout the album, although at times it overwhelms the melody. Also, pitch problems creep up in both the melody and harmonies during the complex use of diminished and jazz chords. Both of these issues are easily corrected with a combination of vocal coaching and production. The group’s lead singer Valerie Martin writes the majority of the songs, which cover the gamut from gospel spirituals, to contemporary power ballads to gentle meditative prayer. The sound and style of Trinity Sessions has great potential to rise to the next level by tightening up their writing, vocals, and production.

Highlights on Walk On include the traditional “Peace Prayer,” the bluesy yet upbeat “It’s a God Thing” and “The Canticle of Mary.” I predict Walk On will appeal to listeners who enjoy easy listening, inspirational music. To purchase Walk On and learn more about Trinity Sessions, check out their very cool website at www.trinitysession.com.

Father Christopher Wilcock – Who Did You See

Reviewed by Billie Tarascio

Who Did You See, marks Christopher Wilcock’s seventh collection of liturgical works and more than a 14-year partnership with OCP, a Catholic publishing and distribution company out of Portland, Oregon. The album was released in March 2008 and marketed toward Catholic youth and young adults featuring songs filled with World Youth Day 2008 themes.

While I would not categorically describe the sounds of Who Did You See as “Praise and Worship “or “Contemporary Christian”, styles typically popular with youth and young adults, the album does contain elements of both the traditional and contemporary throughout. The vocalists featured on the album are markedly classical, and much of the instrumentation and arranging reflects Wilcock’s history with orchestral music. Representing the contemporary genera, are driving drumbeats, electric guitars, contemporary piano lines, and colorful counter melodies backed with edgy harmonies.

Within the album listeners will find linguistic and as well as stylistic diversity including an international version of “Spirit-Power” featured at World Youth Day 2008 and “En Todo Amor,” a bilingual composition.

Who Did You See is a collection of thought-provoking lyrics and infectious melodies appropriate for use in multiple settings. In fact, as I listened to Who Did You See I couldn’t help but feel as if I were listening to a musical soundtrack, begging the question: Will OCP expand into musical theatre works for catholic parishes and schools? As we wait for the answer to that question, I would recommend Who Did You See as a source of music for the Church worldwide. To purchase Who Did You See and other works by Father Christopher Wilcock check out www.ocp.org/artists/549.

CD Review - Christmas at St. Michael's Abbey

2008-12-19T07:13:00.000-08:00

The Norbertine Fathers of St. Michael's Abbey (released by Jade Records)

by Susan Bailey

One of my new favorite recordings for Advent and Christmas is the Norbertine Fathers of St. Michael’s Abbey’s first release, Christmas at St. Michael’s Abbey. The album contains the proper chants of the three Masses of Christmas (see more information below from Jade Records about this album and the community).

I am a novice when it comes to Gregorian Chant, but it doesn’t prevent me from thoroughly enjoying this album. The chants are very soothing to listen to; the more I listen, the more I hunger to listen and lose myself in the chants. I also find them to be a perfect backdrop during my time praying the rosary.

The Christmas season only begins on December 25th. Treat yourself to Christmas at St. Michael’s Abbey now and enjoy it throughout the season, and year round as well.

Visit www.jade-music.com for order information.

About the Record (from the Jade Records website)

Jade Records is proud to release the first record by the Norbertine Fathers of St. Michael's Abbey - Christmas at St. Michael's Abbey: Chants for the Three Masses of Christmas.

This recording includes the proper chants of the three Masses of Christmas (Midnight, the Mass at dawn, and the Mass of the day) as sung at St. Michael's Abbey. They are still in use after all these centuries and retain their sacramental quality, their supple vigor, and the ability to dispose the soul for the contemplation of God and His Mysteries.

The repertoires of chant are almost like "dialects" of the Gregorian repertoire - there is a substantial overlap of texts and settings found in the Roman Missal (for the Mass) and Antiphonarium (for the Liturgy of the Hours), but there are items that differ in part of completely.

St. Michael's Abbey is a community of Norbertine Canons Regular in Orange County, California. Its first members were Hungarian priests who escaped to the United States to leave communism and settled in California in 1957. The community was raised to the status of an abbey in 1984, because of its growth. St. Michael's Abbey now numbers nearly 70 members.

Members of the abbey live a life that combines monastic observance and a complete singing of the choral office and Mass every day with an active apostolate.

Here is a video from Christmas at St. Michael’s Abbey:

CD Review - The Priests

2008-12-17T11:19:00.000-08:00

(Father Eugene O’Hagan, Father Martin O’Hagan and Father David Delargy)

by Susan Bailey

Some 40 years ago, three boys from Northern Ireland met, became mates, and began to sing together. Two were brothers: Eugene and Martin O’Hagan, and the other, a friend: David Delargy. As fate would have it, all three decided to enter the priesthood and wound up at the same seminary, where they continued to blend their tenor and baritone voices together, singing familiar hymns of the Catholic Church.

A mutual friend recorded a demo of the trio which eventually landed in the hands of Nick Raphael of Epic Records, a division of Sony/BMG; he had been looking for soloists for a Latin Mass project. They were signed immediately and commissioned to produce their debut album, The Priests.

As The Priests is being released during the Christmas season, this project could easily be dismissed as a Christmas album, to be put away after the holidays are over. Doing that would be a supreme waste. This collection of beautiful traditional hymns and classical pieces from the likes of Hayden and Vivaldi is meant to be heard year round, to soothe the troubled spirit and feed the hungry soul.

If you’re looking for The Three Tenors, you won’t find them here. The voices, although not remarkable in a technical sense, are still remarkable because of the purity, warmth and authenticity they convey. Several of the performances are blissfully understated, missing the histrionics of dramatic high notes and other theatrics. These three priests are not here to show off how well they sing, but to instead convey their prayerful love of God and their combined ministries as priests and music ministers.

Classic hymns such as Shubert’s “Ave Maria,” “Panis Angelicus,” “Be Still My Soul” and “Abide with Me” combine with great classical arias by Hayden and Vivaldi, and traditional Irish tracks and blessings. Andrew Lloyd Weber’s “Pie Jesu” was especially moving, as well as a newer piece, “Benedictus.” There are also two Spanish pieces included in the 14-song collection.

Father Eugene has included extensive notes for each track of the album in the CD pullout. If you’re tempted to simply go to iTunes to download mp3s, think again. These notes explain the lyrics, the history, and The Priests’ personal connections to each song. They greatly enhanced my listening pleasure, knowing what these songs meant to these 3 men of the cloth.

The Priests is an important project, released at a critical time of uncertainty about the future. It works to convey a much-needed positive image of priests who are here to serve God and those who are searching for faith in their lives. If you need a break from the deluge of fear-filled and depressing news stories of the day, turn to this album for comfort.

The Priests is a CD you will listen to again and again. Fathers Eugene, Martin and David are priests you will want to know more about. Their stories are compelling.

You can find more about The Priests at www.thepriests.com.

Listen to The Priests in concert at Armagh

Hear clips of "Ave Maria," "Abide With me,""Panis Angelicus," by Cesar Franck, then "Be Still My Soul," taken from Sibelius' Finlandia, all on their album.

New Christmas Releases

2008-11-28T06:34:00.000-08:00

Here are some of the newer releases for your Christmas listening pleasure.

Seasons
Eventide Lullaby

So many thoughts rush through my mind while listening to the angelic sounds of Eventide Lullaby. At a time when we all yearn for peace and calm in this crazy, hectic world, you only need to plug this CD into your player and find yourself being lulled to that very place. The title, “Eventide Lullaby” speaks perfectly as I envisioned myself being drawn into the gentle sounds while sitting in a chair before a cozy fire wrapped in a blanket with the flickering lights of candles.

As a guitarist and vocalist, I found the beautiful sounds of the harp and hammered dulcimer to be very intriguing. These 3 siblings, Mary Kate, Mary Teresa and Peter Lee prove to be very gifted in their artistry with these rarely heard instruments as well as their unique adaptations of many familiar carols that herald the birth of our Lord, Jesus Christ.

I found the original pieces, “Eventide Lullaby” and “Listen to the Angels” hauntingly beautiful. They definitely depict the messages of the atmosphere of the setting where Jesus was born in the arrangements and vocals. I must commend the vocal choices as they blend perfectly together and with the instrumental accompaniment.

My one issue with the CD was with “Silent Night.” This is my favorite Christmas song and although done very well with guitar, violin and vocals, I was looking forward to hearing how this group, Seasons, put their spin on it with the harp and dulcimer. I also went to research the group a little by going to the website www.seasonsmusic.net only to find the same information that was on the CD cover itself. I wanted to know more about these amazing artists!

Aside from that, I believe in all honesty that this CD could do very well in a broad market beyond just Catholic spectrums. It has that beauty that would touch every soul. I look forward to hearing more from Seasons.

Reviewed by Sally Bolderson

Note: Seasons has a video up on YouTube which demonstrates their amazing instrumental ability. Here they are playing "Clocks" by Cold Play.

Renee Bondi
My Christmas Wish

If you’re looking for music that will transport you back in time to a old-fashioned family Christmas, and fill you with blessings, My Christmas Wish by Renee Bondi is the choice for you.

Renee’s naturally warm voice invites you into a familiar world of Christmas favorites such as “What Child is This,”, “Hark the Herald Angels Sing,” “Let It Snow,” and “Have Yourself a Merry Little Christmas.” She does a delightful duet with 13-year old son Daniel on “Sleigh Ride”; I was very impressed with Daniel’s vocal mastery on such a difficult song.

New songs are introduced as well. Renee shares her Christmas wishes with us in the personal title cut, and the airy, well-crafted “Capistrano Christmas Eve” gives us a peak into her hometown of San Juan Capistrano.

My favorites (hard to choose, there were so many) were her thoughtful renditions of “Ave Maria” and “O Holy Night.” These songs are done by so many singers, but Renee added an extra twist on both of them. For “Ave Maria,” she created a lovely medley, blending Shubert into Gounod.. It made for a meaningful listening experience that blessed me with a feeling of the Blessed Mother’s presence.

Ever since I heard “Cantique de Noël” (the French carol version of “O Holy Night”) as a child, I have longed to hear it again. It was such a lovely surprise to hear Renee sing the French carol (and with such a perfect French accent) along with the familiar English version.

My Christmas Wish is a must for your holiday listening pleasure. It will fill you full of Christmas blessings.

You can purchase My Christmas Wish at www.reneebondi.com.

Reviewed by Susan Bailey

SpiritWing Records
Catholic Christmas

Catholic Christmas, a compilation album from SpiritWing Records (producers of Catholic Music 2007 and Catholic Music 2008) containing songs from 17 of the best Catholic artists, is an excellent and diversified collection that makes for a perfect listening companion during the Christmas season.

Catholic Christmas begins (and ends) with Advent-themed songs such as the hauntingly exquisite “O Come O Come Emmanuel” by Celeste Zepponi and the thought-provoking “Waiting for the Christ Child” by Nancy Krebs.

The variety of styles coupled with spirited performances makes Catholic Christmas a wonderfully entertaining album that will bless you as you prepare for Christmas. Examples include the inspiring sounds of Interior Castle on “Away in a Manger, the flamboyant joy of “A King is Born,” by Fr. Charles and Laurie Mangano, simple poignancy in Deacon Chuck Stevens’ “Joseph (Bethlehem Morn”), and warmth and nostalgia in Lynn Geyer’s “The Magic of Christmas Day.”

There are seventeen artists represented on this CD which you can listen to (and purchase) at CD Baby - http://cdbaby.com/cd/spiritwingrecs2. I highly recommend this album and other SpiritWing projects which you can find at www.spiritwingrecords.com.

Reviewed by Susan Bailey

Tom Franzak and family
littleway christmas 1

Just before Christmas last year, Tom Franzak released littleway christmas 1. He was interviewed along with his daughter, Lucy (who sings on the album along with other family members) on the GrapeVine News Minute podcast. You can listen to it on the player below - just click on the title.

Music samples from the songs, "Emmanuel," "That's What Christmas Means," and "On Christmas Day" are featured.

You can purchase littleway christmas 1 at www.littlewaychristmas.com.

Interview conducted by Susan Bailey.

CD Review - OCP - Never Too Young

2008-10-17T12:56:00.000-07:00

Reviewed by Nick Alexander

Never Too Young is the latest in the series of age-specific songbooks for parishes and schools, as put out by Oregon Catholic Press. This time, instead of focusing on children's ministries (Rise Up and Sing) or teenagers (Spirit & Song), the key demographic is "Tweeners" and Early Adolescents, from 4th to 8th grade. And as is the case for such a tricky demographic, the results have to be a little bit of a mix of both.

The Never Too Young - by Request CD is a "Greatest Hits" collection of these songs, particularly those songs that were written and covered by the pantheon of youth-oriented OCP artists: Jesse Manibusan, Tom Booth, Steve Angrisano, and, of course, Matt Maher. These songs encompass what is perceived to be the very best in OCP's youth-oriented catalog, and unless you have been preoccupied with other musical resources during the last fifteen years, you already know the majority of these songs: "I Will Choose Christ," "Here I Am," "Open My Eyes," "Just Like You" and "Go Make A Difference."

Of the songs that were new to me, I thought Jesse Manibusan's "Holy Spirit, Come Now" was the strongest. It has a simple, repetitious melody (similar to "Open My Eyes") that is at once soothing yet earnest. I could really envision such a song becoming a standard in Confirmation ceremonies across the nation, with the candidates singing in unison as they process down the aisle. Manibusan's vocals are in top form here. (See Jesse talk about and perform "Holy Spirit, Come Now")

Another surprise is Jackie Francois' "My Soul Rejoices"--a new variation of the Magnificat. What I liked about this is its very gentle melody that closes each verse--it's unique and it makes the song stand out. This is the first I have heard of Jackie Francois, and I hope to hear more of her in the future. (see Jackie talk about and perform "My Soul Rejoices")

As for the rest, it's hard to say. Either the songs have already become established youth/young adult standards, (from which there will be no need for me to prod one way or another), or the songs are nice to listen to, but make no effort to convince this listener as to why those particular songs were considered friendly for this age group. In fact, only one song in the collection has children singing at all, and it's the fun dittie, "Jump in the Water" by Sarah Hart. Perfect for a school assembly, or perhaps for a video that a teacher can use as part of a lesson . . . but liturgy? Not likely.

In fact, other than the songs already mentioned, I'm not sure which songs work well for liturgy, or even for an informal praise jam. For example, I listen to "Be Lifted High" and find that its chorus melodically scales downward during the very points that one sings of God being "exalted", "lifted high" and "glorified," cutting against the grain of the song, preventing it from being as effective as it could be. "Fly Like A Bird," while having very lovely God-centric lyrics, cuts away to a chorus that is as generic as it is cliched. And while I recognize that "Here I Am" has become a very popular song amongst youth and young adults, I find that songs that encourage a congregation to sing as with God's voice--those without a specific Biblical reference--can encourage a "me"-centric theology without roots.

My biggest disappointment with this recording is that I didn't get the sense that OCP was trying to convince me that these songs will work for the age group they are marketing to. To do so would require all-new recordings of these same songs, but with youth at the forefront, much like how Christ Music Kids and Mike Harrison's Standin' On the Rock had done. I wish I was more enthusiastic about this project, and perhaps the songbook resources will contain far more age-specific songs, but as I see it, it's repackaging songs that you probably already have.

But then again, if you are just discovering this music for the first time, you may find a lot to build your ministry program upon. Purchase Never Too Young on the OCP website at http://www.ocp.org/products/20759

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

CD Review - Oddwalk - Walk Away Different

2008-10-17T12:43:00.000-07:00

Reviewed by Sally Bolderson

Shannon Cerneka and Orin Johnson are the duo that bring to life "Oddwalk Ministries", who are represented by GIA Publications, Inc. Their purpose is "to help young and old alike embrace life as Eucharistic people through fun, upbeat and interactive music and witnessing." Rooted in the Midwest in Illinois and Missouri, you will find them leading retreats and workshops as well as entertaining at concerts and coffee houses.

On Walk Away Different, their 4th CD together, they bring to light a more intimate depth of their relationship with God. In previous projects they have leaned more to the songs that would appeal to a younger audience with fun and frivolity. On Walk Away Different I get a sense of their reaching out to a broader audience with messages that could speak to young and old. There is a great variety here with songs of hope, pleading and challenge among the 16 tracks of this record. You will find upbeat pieces that will have you tapping your toes and then in another moment, contemplating your walk of faith with a soft, meditative song that will touch your heart.

The various adaptations of popular psalms are always welcome and are represented well on this CD. As a liturgical music minister, I can appreciate having options when it comes to the sung psalms and find their renditions of six well known psalms to be very congregational friendly. I will surely use them in my own parish setting. I found the vocals to be very good and the addition of Sarah Bauer on many of the tracks is wonderful. Her sweet yet strong vocals add depth to these selections. Being a fan of harmony, I was very pleased to hear very nice harmonies throughout Walk Away Different.

As I listened to the CD I heard overtones of other very successful liturgical writers such as the St. Louis Jesuits, David Haas and Marty Haugen.

My favorites vary as much as the selection of songs on this CD. I found myself straying away a time or two from my listening through the first several tracks until I came to "Get It Together." Once I heard that song, I could feel the passion and energy that would be typical of a live performance with this duo. Unlike the first 6 songs that were nice enough, but also forgetful, "Get It Together" stood out and got my attention. Likewise was the song "I Give My Spirit" which I found to be a haunting and extremely powerful rendition of Psalm 31. The deliberate tempo and strong vocals really drew me into this song, not to mention the theme that we all encounter so often . . . our brokenness and our pleas to God for help. Of note as well, is a great Eucharistic song, entitled "Share" which would work well in any congregation for a Communion song.

Overall, I found Walk Away Different to be full of great themes of our faith, admitting our weakness, understanding God as our Savior in the Trinity, challenging us to move to the Light, move where God wants us to be. I think there is something here for everybody with direct and to the point messages. I feel that this CD will make great strides in becoming a staple in any liturgical music minister's music library. The songs are simple and would be easily worked into your choir's music repertoire. You can purchase Walk Away Different through GIA Music at www.giamusic.com/products/P-725.cfm.

See videos of Oddwalk's performances on YouTube.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Premiere Episode of the GrapeVine Sampler!

2008-10-04T15:13:00.000-07:00

Welcome to the inaugural episode of the GrapeVine Sampler - a video program dedicated to bringing the best in Catholic music and media to the forefront. This first episode reviews CDs by Aubrey Quintero and Jean Ann Hand, and an autography by Sr. Suzanne Toolan with Elizabeth Dossa.

My thanks to the following artists for the usage of their music for this show:
Critical Mass (Completely)
Fr. Stan Fortuna (Ain't No Party)
Nick Alexander (I Got You Saved)
Nancy Krebs (Heal Us Lord)

The show is approximately 13 minutes in length and is broken up into two videos. You can also listen to the audio only on the GrapeVine News Minute, episode #100 in the player to your right.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Matt Maher - Empty and Beautiful

2008-08-13T12:30:00.000-07:00

Reviewed by Nick Alexander

Matt Maher has established himself as a premier worship leader in Catholic youth circles for many years now, and with OCP's SpiritandSong.com label he has released three exceptional albums. We have been blessed with his musicianship, his insight, and his penchant for crafting easily singable melodies. And yes, he can rock.

But Matt Maher's talent could not keep him in the Catholic subculture (what some cynics call "the Catholic ghetto") forever. Due to the remarkable success of "Your Grace Is Enough," having been predominantly added to both Catholic and Protestant worship repertoires worldwide (note: #2 on the CCM charts as of August 13), Maher was able to ink a major label deal with Essential Records and worshiptogether.com, home of Third Day and __. In fact, Worshiptogether's 7.0 compilation songbook contains songs from Matt Maher's Overflow album, including "Down in Adoration Falling"—which marks the first time a non-Catholic music resource included a Eucharistic Adoration hymn within its contents.

Indeed, the biggest question upon Maher's fanbase remained to be seen: would being signed to a Christian label cause Maher to water down his Catholic roots? Or will he be able to stay strong in his faith, branching out to our non-Catholic brothers and sisters with an open gesture of ecumenical friendship?

Skeptics need not have worried. Maher's latest release, Empty And Beautiful, is his best album yet. It is one of the strongest praise and worship albums—both Catholic and Protestant—of the year. And it stays true to his Catholic roots, although in subtle, yet firm ways.

The album starts off with the familiar (if slightly reworked version of) "Your Grace Is Enough" with crunchy guitars and potent energy. He follows that performance singing about "…why grace is so amazing" on "Look Like a Fool" (which builds upon the classic children's song "All God's Creatures Got a Place in the Choir.").

I highly recommend listening to "As It Is In Heaven" after its earlier counterpart (off of "Overflow") to witness something quite extraordinary. Matt Maher took an already good song, and improved upon it, so much so that it has completely usurped my memory of the former. What used to be a generic praise song—with a chorus that was based on The Lord's Prayer—now encompasses the entirety of that same prayer.

Another great improvement is the delicate touches off of "Unwavering", a song that is as singable as it is worship-filled, but this time these touches enhance the meaning of the lyrics.

"Great Things" is an upbeat song based upon Mary's Magnificat—this is Maher's way of introducing non-Catholic Christians to Mary, without encroaching upon our doctrinal differences. Being both Scripturally-based and a vertical praise to God, it is simultaneously fun and serious.

The title cut, by contrast, is a solemn reminder of God's merciful hand upon our sinful lives. He sings of deep regret over past wrongs, and being alienated by his closest friends, and the power of Christ's sacrifice on Calvary to both forgive him, and give him strength to finish the race. In response to God's mercy and steadfastness, he has chosen to devote himself fully to God, and empty himself of all that the world offers. It's a haunting masterpiece.

To answer the initial question, Maher has definitely retained his Catholic identity on this project, but it's found in solitary phrases throughout specific songs. In addition to the Magnificat in "Great Things", he sings "Jesus here You are found / In the breaking of the bread." in I'll Leave a Light On. He sings of social justice in Look Like a Fool and in Maranatha. In fact, Maranatha also references "Your sacred heart" and works as a great Advent song, not to mention a great commissioning song.

On top of all this, Maher sings of our indebtedness to God's grace, and our imperative to fulfill the Gospel mandate—themes that all Christians share. It's exciting to see Maher being propelled into new territory, and I pray that his continued success will spark a greater desire to fulfill God's purposes in our own lives, regardless of where his music is introduced.

Visit Maher’s website at www.mattmahermusic.com to find out where you can purchase Empty and Beautiful.

Hear samples from Empty and Beautiful from a live concert, plus an interview with Maher in episode #97 of the GrapeVine News Minute, available Sunday., August 17 on the GrapeVine News Minute player.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Book Review – Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist by Teresa Tomeo

2008-08-13T12:21:00.000-07:00

Journalist Shares Her Story to Draw Others Home to Rome

Reviewed by Lisa M. Hendey
Bezalel Books, P.O. Box 300427, Waterford, MI 48330, 248-917-3865, $14.99 September, 2008; Paperback, 168 pages ISBN: 978-0-9800483-9-1 My ranking: 5 stars (of 5)

Most people would look at Teresa Tomeo – author, host of an internationally syndicated talk show, and noted speaker - and make the assumption that this rising star never had a day of trouble in her life, that she’s one of those lucky ones for whom the stars just seem to align perfectly. Perhaps her willingness to share the true portrait of her life and to smudge the perfect picture a bit is what makes her newest book Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist so incredibly compelling. I have to admit to being in the camp of people who looked at Teresa’s rising success and faith-filled attitude without knowing the full truth behind her journey.

Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist is Teresa Tomeo’s first person account of the events in her life that have brought her to her current role as a woman on a mission to employ the power of the media to bring people to the fullness of the truth of a life lived with God at one’s center. With surprising candor, Tomeo recounts her rise to the heights of the network news business and her subsequent sinking to the depths of the industry, including a trip to the unemployment line. When we think enviously of television personalities who live their lives as open books, rarely do we pause to contemplate the pain they must face when their own personal tragedies are played out in the public eye. Teresa Tomeo, however, was able to take what most would consider a deal-breaking hand and turn it into a winner.

Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist chronicles Tomeo’s career, but more importantly the spiritual path that led her from a fallen-away Catholic on the brink of divorce to someone who currently inspires millions on a daily basis worldwide via her satellite radio podium and acclaimed writings. Using the themes of the news business to orient itself, this book is part biography, part spiritual outreach. Teresa doesn’t sugar coat any part of her life, even putting such difficulties as marital discord and an eating disorder under the microscope so others can learn and be inspired by her journey. In doing so, shares with the reader a message of great hope and inspiration. If we are willing to submit direction of our life to a loving God and place him at the “master control” of our world, we can have the same sense of hope, peace, and confidence in salvation that permeates Teresa’s life today.

Teresa’s story of going from laid off news anchor to one willing to accept a new assignment according to God’s design ultimately brought her a great sense of clarity and devotion. Her willingness to embrace the mantra “Let my misery be my ministry” gave her the marching orders she needed to reach out and to touch the lives of others. And now, she is on fire to share the “scoop” – the good news that our lives can be as filled with purpose, meaning and happiness as her own.

Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist is a book that will appeal to a broad variety of readers. For fans of Teresa Tomeo’s work, this provides an excellent, no-holds-barred look at her career and personal philosophies. Perhaps more importantly though, this book reaches out to those who may find themselves separated from or never having known anything about the truth of the Catholic Church. In the introduction to the wonderful reflection questions that accompany her work, Teresa shares:

My goal with this book is to give witness to the mighty works of God in my life. I want to give glory and honor to Him in all that I say and do. I also think of the many women I have met throughout my career who have fallen away from the Church. These women are in my heart as I write this book because I want to take their hand and walk them home to Rome. And, of course, I write this book so that all can be reminded of the graces and mercy of God.

With wit, zeal, compassion and “can’t put it down” readability, Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist is a true treasure. The book is firmly based in solid doctrine and contains numerous references from scripture, the Catechism of the Catholic Church, and papal encyclicals. Newsflash! is endorsed by Monsignor Mangan, of the Vatican; Al Kresta, CEO of Ave Maria radio; Doug Keck, Host of televison's"Bookmark;" best-selling Catholic authors Donna Maria Cooper O'Boyle and Steve Ray; Catholic editor and author Heidi Hess Saxton and more. Complimenting the main portion of the book is a wonderful section with personal reflections and helpful resources at the conclusion. Take my advice and buy two copies of this book – one for yourself and one for a friend with whom you’d like to share the fullness and beauty of the Catholic Church. You’ll both be better off for having heard Teresa Tomeo’s Newsflash.

For more information on Newsflash: My Surprising Journey from Secular Anchor to Media Evangelist visit www.teresatomeo.com. Orders placed before September 1, 2008 will receive free shipping and handling.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Ron Gutierrez - Hymns in the Key of Jazz

2008-08-13T12:13:00.000-07:00

Reviewed by David Wang

I love jazz. I still pull out CDs of jazz vocalists such as Ella Fitzgerald, Mel Torme and Harry Connick, Jr. when my hard rock collection starts to wear out my ear drums. I was really excited to see this jazz collection of Catholic songs by Ron Gutierrez entitled Hymns in the Key of Jazz. Recorded live and featuring great musicianship and vocals, this is a very enjoyable recording. Some highlights include "I Have Loved You" and "Open My Eyes," both of which are revitalized with a light jazz emphasis. My only slight criticism is that a lot of songs fall into the "Glory and Praise" category. Although these songs are recognizable, some of them are written essentially for folk mass settings and their inherent simplicity tends to pull some of these songs dangerously close to muzak. Aside from this, Ron Gutierrez has found a niche for his music and this is a very promising debut recording. I really look forward to hearing more sophisticated song choices from this talented artist.

You can purchase Hymns in the Key of Jazz through CD Baby at http://cdbaby.com/cd/rongutierrez.

Amanda Vernon - Living His Story

2008-08-11T13:06:00.000-07:00

Reviewed by Kerry McMasters

Living His Story is the fourth CD release for 20 year old Amanda Vernon, who lives in Grand Rapids, Michigan. Amanda has been singing publicly since the age of 5 and playing the piano since the age of 7. Amanda has performed at many churches, Youth Rallies and special events over the past 5 years. She was also a guest on EWTN’s LIVE Call-In Show “Life on the Rock” in 2007. Recently she performed at the International Eucharistic Congress in Quebec, Canada in June and more recently at World Youth Day in Sydney, Australia.

Amanda’s voice is fresh and crisp and she sings from the heart. The CD is very energetic. The quality of the recording is very high as well as the talent of these gifted musicians. Of the 15 songs on the CD, 14 are original compositions by Amanda. She sings of things that we can relate to in our everyday lives. She also brings to us the Word of God through her songs. "A Little Bit" reminds us of what we are called to do in reaching out to each other. "Deliver Me" based on “Litany of Humility” by Rafael Cardinal Merry del Val is a beautiful song that asks Jesus to set us free from the concerns that bind us and cause us to lose sight of the path we need to walk on.

One of my favorites is "Altar Call." This is a call for healing, for complete surrender of our burdens, so that we may find rest in the one who gives us life. This is truly a refreshing mix, especially with the Gospel Choir providing back up vocals. Many of these songs speak to our heart and the struggles we go through from day to day.

"No Power" tells of how we need to put on our Spiritual Armor every day to guard against the evil around us. "Abundant Life" sings of how our lives can be a roller coaster ride. We can be at the top one minute and then at the very bottom the next. How when we are in the darkness, we need to keep our eyes opened so that we can see the light, and in the end, the Lord knows every twist and turn in our lives and will keep us safe.

I really like this CD. There are so many songs that I can relate to in regards to everyday life. Amanda is truly Living His Story.

You can purchase the CD at Amanda’s website: www.amandavernon.com

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Sacred Music and Liturgical Reform: Treasures and Transformations

2008-07-31T13:48:00.000-07:00

By George Lower

Those who know me well appreciate that I'm an avid reader. Usually, I can be found in possession of at least three or four books in various stages of desecration. I bend the pages. I write in the margins. I underline important points on nearly every page. While Fr. Anthony Ruff's tome Sacred Music and Liturgical Reform: Treasures and Transformations suffered the same fate as all the other works I have read, it was singular in this respect: I could not stop reading it until I finished every last word. I literally dropped everything else and was beguilingly led by the author into a fascinating world of church music history.

One might well be skeptical of such claims because of the subject matter. Most books written on this topic seem to be rather polemical on one extreme, or dry as day old toast on the other. Fr. Ruff has managed to write a book that is simultaneously hefty in academic content and engaging to the reader. I found myself eagerly turning pages as if I were reading the latest Tom Clancy thriller. The only negative I could find with this work is the rather steep cover price of $95.00. Even so I would recommend that every person who is involved in church music or liturgy should have this book in their personal library.

Speaking of skepticism, this book honestly and forthrightly confronts many issues facing the church in terms of liturgy and music. It is a sad fact that much of the discourse about these important topics has been reduced to polemic tirades about the loss of sacred treasures on the one hand and the outright disregard for the clear teachings of the Second Vatican Council on the other. Fr. Ruff takes an honest and fair look at all these extreme positions and affirms what is right and corrects what is wrong in each case.

It is apparent that that there are many competing tensions within the official documents of the last century when it comes to music in the liturgy. Fr. Ruff deftly navigates these complex and often sensitive waters with absolute objectivity and thorough documentation. While one could spend years reading (in several languages) all of the supporting documents that have shaped this work, it will suffice to say that Fr. Ruff does not make any assertions that are not supportable by a mountain of evidence from the church and outside academic sources.

In short, to resolve these tensions in a practical sense Fr. Ruff advocates a broad understanding of the “sacred treasury” of church music which includes chant, polyphony, hymnody, classical and romantic choral music and even contemporary compositions. In light of the church’s mandate to both reform the liturgy and to preserve this sacred treasure of music, Fr. Ruff concludes that we must move beyond entrenched positions and embrace a practice that seeks to affirm both what is good in our contemporary practice and what is excellent and praiseworthy in our inherited musical repertoires.

You can find Sacred Music and Liturgical Reform: Treasures and Transformations through Liturgy Training Publications and Amazon.com.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

Jenny Klement - Grace is Falling

2008-07-21T12:43:00.000-07:00

Reviewed by Lisa M. Hendey

Jenny Klement is a welcome new face on the Catholic music scene. Having earned her Bachelor’s degree from Franciscan University at Steubenville, Klement manages an active music ministry and speaking schedule as a compliment to her primary vocation as wife and homeschooling mother of five. “I’ve always felt that my vocation as a wife and mother has to come first,” shares Klement. “So I really am very particular about where and how often I speak and sing.”

Klement’s background as a Theology teacher in a Catholic school preceded her marriage to her husband, who encouraged Jenny to fulfill a lifelong dream of producing her own CD. Klement feels compelled to share her message with Catholic women, a message of hope and encouragement in their faith and family lives. Klements’ songs are inspired by her own strong need for God’s grace in her vocation and by the daily challenges, struggles and blessings she has faced in her own faith journey.

Jenny Klement’s new CD entitled Grace is Falling contains eleven songs including the title track, which is a reminder that God’s grace is continually available to each of us. Moving beyond her outreach to mothers, this CD contains a broad cross-section of songs that will appeal to a wider audience. “I knew for a long time that I wanted to entitle the CD ‘Grace is Falling’ because that song captures for me, as a Catholic, what is at the heart and soul of our life – that we just can’t survive without God’s grace. Every one of the songs on the CD is a reflection of my own struggle to really tap into that grace.”

The production quality on Grace is Falling is high and the project’s theme unifies the tracks well. The title track is an instant favorite, with a driving rhythm and strong vocals by Klement. My personal favorite is “Be There”, a country-feeling anthem which pays tribute to the importance of a parent’s physical and emotional presence in the life of her child. “I Confess” takes a contemplative look at the Sacrament of Reconciliation and features soulful acoustic guitar accompaniment. “No Greater Love” imagines what would happen if Jesus would never have sacrificed himself for us – the song is the CD’s longest and is a stirring call to share Christ’s love, to reach out to the lost and to be the embodiment of Christ in our world today.

I would highly encourage anyone to check out Grace is Falling and I anxiously await more great things to come from Jenny Klement. You can purchase her CD through her website, www.jennyklement.com.

Rob Galea - What a Day

2008-07-21T12:33:00.000-07:00

Reviewed by Dan Harms

Maltese/Australian seminarian Robert Galea is a name you may not be familiar with but that won't be the case for long; he is quickly taking steps out of the fringes and closer to the spotlight of the Catholic music community. In 2006 he released a very nice, very prayerful album entitled Closer; it was a decent record but didn't stay in my CD player long. The follow-up to Closer is this year’s What a Day and immediately upon listening it, is evident that Galea has come a very long way. The sound and production on this album are fantastic. Using limited instrumentation, drums, guitar, piano, light strings and voice, Galea's sound is rich and well produced. He has pushed his songwriting to be more accessible to listeners than ever before with simply laid out song structures and catchy choruses across the entire album. Great choruses tend to be made of two important components: melody and lyric; Galea does both of these things well with creative melodies and simple, yet profound, lyrics.

While What a Day stands tall above many other recordings released by his Catholic pop/rock or praise and worship contemporaries, one aspect that Galea came up short on was in the execution of the verses throughout the album. At times the lyrics in the verses didn't quite flow as well as they could have or it just seemed like the melody lines in the verses were predictable and routine. Consistently, however, the choruses would come in and the song would be well redeemed. What seems to be the first single from Galea's album is a tune that immediately jumped out in my first listening, "The Foot of the Cross." The lyrics of the refrain are simple and beautiful; after hearing the song, it’s easy to imagine thousands of voices singing and praying the phrases from the tops of their lungs: "Come see, come rest, wherever you are. Come broken, whole, however you are. He calls your name, whoever you are. There is room for you, at the foot of the Cross." On Galea's website, www.thatsworship.com, there is an accompanying music video for this song that is well produced. Check it out.

Being in Australia and fairly well known in the Catholic music community there, Galea will be featured a few times in 2008's World Youth Day (WYD) in Sydney. Galea recorded a portion of a promotional song for WYD, singing the Italian verses of a multi-lingual song. What a Day includes a track, "Mulej F'idejk/Nelle Tue Mani" in which you can hear Galea sing not only in Italian but also in his native Maltese language.

Overall I recommend What a Day. The recording, performance and production are top notch, not to mention the intensely catchy choruses that will keep you humming Galea tunes throughout your day. You can order the CD from Galea's website www.thatsworship.com for $17 US (shipped from Australia) or download the album on iTunes for $9.99.

© Copyright 2008 GrapeVine. Permission to copy or reprint this story must be obtained by writing to susan@gvonline.net. Used by permission.

CD Review - Jon Niven Show the World

2008-07-03T08:03:00.000-07:00

reviewed by Dan Harms

Show the World is the first solo release from Massachusetts based worship leader Jon Niven. Niven, a former member of the now disbanded duo Cross Pollen, self-produced the project which gives the album not only a unique sound, but a very honest presentation of the prayer and passion Jon puts into songwriting. The record is mostly Jon's exploration through the singer/songwriter genre with a few songs written in collaboration with other artists and a number of covered tunes tossed into the mix.

While a number of tracks stand out on the album, the arrangement, instrumentation and presentation of Marty Haugen's "Shepherd Me Oh God" is nothing short of incredible. Between the orchestration of a string section and a beautiful female accompanying vocal, this song is my favorite. Also in the track-listing Niven has included renditions of "Hail Mary, Gentle Woman," "Joyful, Joyful, We Adore Thee" (which lays over Beethoven's Ninth Symphony selection, "Ode to Joy") and "Psalm 102" which was co-written by Niven's former band-mate, Dan Ballinger.

Of special note are two versions of a song called "Quiet Enough." In the first version, the recording's sparse simplicity gives the song a certain beauty; it has no instrumentation other than Jon's voice and guitar. The alternate version features Catholic rap artist Righteous B and a much fuller production with percussion, synthesized instrumentation, electric guitar and brilliantly phrased verses rapped by "B." The latter version was recently released on Righteous B's album, "How A Wound Bleeds." In addition to the two versions of Quiet Enough, Niven has a stripped down piano and vocal reprise of the albums' title track, "Show the World."

The mix of original songs, well known covers and really interesting reprises and alternate versions of songs makes for an enjoyable array of music. The overall tone of the album is pretty laid back and easy going, perfect for driving around town or as a nice companion on your daily commute. This certainly won't be the last recording we hear from Jon Niven and while I enjoyed this album I would love to hear more writing from him aimed directly at the praise and worship arena.

You can purchase Show the World at www.jonniven.com.

CD Review - Joe Hand Typical Male

2008-07-03T07:48:00.000-07:00

reviewed by Dan Harms

Typical Male, the latest release from Nashville based producer and musician, Joe Hand, is a really fun album that is quite a departure from the music many have associated him with. After years of running one of the highest end Catholic recording studios in the United States, touring with the likes of John Michael Talbot and Tom Booth and releasing two Christian albums (one of Psalms, the other of praise and worship), Hand is pushing into the mainstream secular market with a collection of songs about life, relationships and the joyful struggles of being a "typical male." The album sounds pretty incredible, as well it should, Hand is the producer many artists turn to when they want their recordings to sound best, not to mention that Hand worked with what he calls a "dream team" of musicians in a host of Nashville area studios on this project.

Recording quality and the caliber of musicians aside, songwriting is what ultimately carries an album and can make or break a recording's success. Hand writes well, his lyrics are thought out and each song tells a story illuminating some interesting and insightful aspect of being a typical male, from the joys of the companionship of his dog Boo Radley ("Boo's Tune") to the pangs of love ("Love You More Tomorrow") to feelings of insignificance with (one of my favorite songs on the album) the ballad, "Insignificance," to a general summation of the vices and follies of the male experience of falling in love in "Typical Male."

Typical Male offers a sound profile that spans an array of styles including, blues, piano-ballad, country, singer songwriter, rock and that kind of James Taylor feeling acoustic sound that is hard to define as anything other than "laid back." Fleetwood Mac fans may recognize Hand's awesome cover of "Over My Head" from Fleetwood Mac's eponymous 1975 release. Also worth noting is that while Hand wrote all the other songs on the record he had some help on "Love You More Tomorrow" from veteran rock/pop songwriter and Ceili Rain front man, Bob Halligan Jr.

Hand has put out a great collection of songs that sonically mesh together, exploring the theme of being a "typical male" in a thoughtful manner. While the project doesn't have any songs specifically about God nor songs in the praise and worship classification, the album is a really fun listen and a great offering of Catholics making great music.

You can purchase your copy at www.joehand.com.

CD Review - Sally Bolderson Humble Beginnings

2008-06-15T13:08:00.000-07:00

Reviewed by Susan Bailey

Humble Beginnings is Sally Bolderson’s debut album. It presents a collection of heartfelt and personal songs, tastefully arranged, and performed with gentleness and love.

Bolderson classifies herself as a ‘senior citizen’ in the world of recorded music, although her musical roots go back to her childhood. She decided later on in her life to concentrate on contemporary music as means of spreading the Gospel after encountering Pope John Paul II in St. Louis in 1999. Recent spiritual growth unleashed a hidden talent for songwriting which she uses most effectively on Humble Beginnings to honestly share her faith and experiences.

The album begins on an upbeat note with “Choose to Love,” putting forth a solid message that love is the means by which we find God.

Other songs of note penned by Bolderson show a strong liturgical influence. They include “I Am Not Worthy” (based on the pre-communion prayer, “Lord, I am not worthy to receive you, but only say the word, and I shall be healed.”), “Come and Sing,” and a lovely take on the familiar “Hail Mary” prayer.

A handful of songs on the album are written by other artists. “My Sweet Child” began as a poem by Terry Shepherd reflecting her thoughts many years after an abortion. Her husband Chris wrote the music. Bolderson adapted the song to her style and the result is a very touching song about regret. The following track of “I Am Not Worthy” is a perfect complement, as a means of moving on to forgiveness. (See below for brief interview with Bolderson about these songs).

Bolderson’s friend Jackie Malt, who also contributes background vocals to Humble Beginnings, contributed several songs. I particularly enjoyed “Follow Me” which describes how easily we lose our way. The refrain of “Follow Me this very night/Follow Me, my burden’s light/Follow Me, I am the way/I’ll rescue you this very day/Follow Me,” provides a gentle invitation back into the arms of a loving Father.

A treat for me was the inclusion of a personal favorite, “Humble Thyself.” The song led off with a tasty acoustic guitar and the vocal arranging was beautiful.

Bolderson has a lovely angelic voice which is inviting, warm and soothing to listen to. However, it lacked expressiveness. I felt that she had more to give vocally and wondered if a lack of confidence prevented her from digging deeper. The potential is there as she grows in her gifts and I looking forward to hearing it in future projects.

Humble Beginnings is a solid debut album with many songs sure to please. You can purchase Humble Beginnings through Bolderson’s website at www.sallybolderson.com.

A conversation with Sally about the song, "My Sweet Child"

Sally Bolderson included a special song on her debut album, Humble Beginnings, which has attracted the attention of pro-life groups. She shares, “This song began as a poem by Terry Shepherd of my parish of her thoughts many years after an abortion. Her husband, Chris, is a Catholic jazz/blues musician who had put it to music but felt it needed a female singing it since it's a woman's lament. They let me have it to put on my CD and as I don't do the jazz/blues thing, I revamped it to fit my style. It's a powerful message that is being well received by the various organizations promoting healing after an abortion that I've sent it to. Our local "Project Rachel" program is including it in their support groups and annual retreat. Beyond that, the next track "I Am Not Worthy" is what I feel is the next step, once one has faced the pain and reality of abortion, then you need to accept God's forgiveness and stop living with the guilt and allow Jesus to completely settle in your being.”

CD Review - Colin O'Donohoe Song of the Saints

2008-06-15T12:51:00.000-07:00

Reviewed by Hugh van der Linden

This multi-talented Irish musician and songwriter who resides in New York has put together a very eclectic collection of original songs known as Song of the Saints. It was inspired by the lives of a number of Catholic saints.

Every song, some instrumental and some with singing, are each done in a very different musical style. For instance, the song titled, St. Catherine of Sienna is a Pat Matheny/Mark Isham-ish new-age jazz instrumental piece. St. Francis of Assisi sounds like a modern re-mix of something Hildegard von Bingen might have written hundreds of years ago. It has an ancient, mystical quality to it with bits of spoken word layered over the music. St. Michael the Archangel is a Turkish/Moroccan gypsy flavored song with busy lyrics sung beautifully in English by a female vocalist.

My favorite song on the record is the classical, Sonata Lucia which is a sublime piano and cello duet.

O' Donohoe enlists the use of a wide variety of modern, traditional, and folk instruments on Song of the Saints. The performance and production are very polished and professional.

If you are looking for something to sing along with you will be disappointed, but for those who appreciate a wide range of musical genres, Song of the Saints will be extremely gratifying. You can purchase it through CD Baby at www.cdbaby.com/donohoemusic2